A look at the natural history, biology, and conservation issues faced by cranes in North America, featuring beautiful photos. Accompanied by the stunning photography of Thomas D. Mangelsen, A Chorus of Cranes details the natural history, biology, and conservation issues surrounding the abundant sandhill crane and the endangered whooping crane in North America. Author Paul A. Johnsgard, one of the leading authorities on cranes and crane biology, describes the fascinating social behaviors, beautiful natural habitats, and grueling seasonal migrations that have stirred the hearts of people as far back as medieval times and garnered the crane a place in folklore and mythology across continents. Johnsgard has substantially updated and significantly expanded his 1991 work Crane Music, incorporating new information on the biology and status of these two North American cranes and providing abbreviated summaries on the other thirteen crane species of the world. The stories of these birds and their contrasting fates provide an instructive and moving history of bird conservation in North America. A Chorus of Cranes is a gorgeous and invaluable resource for crane enthusiasts, birders, natural historians, and conservationists alike. The University Press of Colorado gratefully acknowledges the generous support of the Iain Nicholson Audubon Center at Rowe Sanctuary, Audubon Nebraska, Ron and Judy Parks, Wagon Tongue Creek Farm, and the Trull Foundation toward the publication of this book. “In this glorious book, Paul Johnsgard and Tom Mangelsen have captured the very essence of these ancient birds—their beauty, grace of movement, and fascinating lives. It is a must for crane lovers, birders, and all who love the natural world.” —Jane Goodall “Johnsgard is the world’s leading synthesizer of our knowledge of birds and the presenter of such varied and complex information to both professional and lay audiences. He has made an enormous contribution to our planet . . . In his latest book, A Chorus of Cranes, the splendor of Johnsgard’s lyrical style is matched by incomparable images from one of the world’s best-known photographers, and fellow Nebraskan, Tom Mangelsen.” —George Archibald, Co-Founder and Senior Conservationist, International Crane Foundation

Demonstrates the centrality of chorality in the social, religious and technological practices of individuals and communities.

The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides’ allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides’ experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.

These fourteen essays originally appeared in Prairie Fire, a monthly newspaper that for seven years has carried important messages of social, environmental, and economic issues to residents of Nebraska, Iowa, Colorado, and South Dakota, and subscribers in the rest of the world. They discuss the North American east-west ecological boundaries, spring migration events, bird feeders, feathered survivors of a glacial past, the threatened sharp-tailed grouse, the effects of climate change, some "sacred places"-Aransas National Wildlife Refuge, the Ashfall Fossil Beds, Squaw Creek Refuge, the Hutton Niobrara Ranch Sanctuary, and Yellowstone National Park-, our troubles with mountain lions and grizzly bears, and crane season in Wyoming. There is also an expanded informal autobiography, "My Life in Biology" and a current and comprehensive list of all publications of a writer described as "probably the world's most prolific living author of ornithological and natural history literature."

Driving west from Lincoln to Grand Island, Nebraska, Paul A. Johnsgard remarks, is like driving backward in time. "I suspect," he says, "that the migrating cranes of a preice age period some ten million years ago would fully understand every nuance of the crane conversation going on today along the Platte."

With Paul A. Johnsgard, we follow the migration of the sandhill cranes from the American Southwest to their Alaskan breeding grounds and back again, an annual pattern that has persisted over millions of years. By selecting four historic time frames of the migration between 1860 and 1980, Johnsgard illustrates how humans have influenced the flocks and how different American cultures have variously responded to the birds and perceived their value. Each section focuses on the interactions between children of four different American cultures and sandhill cranes, triggered by events occurring during the annual life cycle of the cranes. The story is enriched by the author's exquisite illustrations, by Zuni prayers, and by Inuit and Pueblo legends. With a new preface and afterword and a new gallery of photographs by the author, Those of the Gray Wind is a classic story of a timeless ritual that can be enjoyed for generations to come.

This annotated list of the birds of Nebraska grew gradually out of research associated with my writing of the Birds of the Great Plains: Breeding Species and Their Distribution (Johnsgard, 1979a). It expands and updates an earlier version that was published in 2013 by the University of Nebraska-Lincoln Libraries DigitalCommons' Zea Books (Johnsgard, 2013a). It has been updated and modified in its current revision to conform with the most recent (2017) major revision of the American Ornithologists' Society's Checklist of North American Birds (Chesser et al., 2017). It has also been modified in its current revision to conform very closely to the most recent "Official List of the Birds of Nebraska" by the Nebraska Ornithologists' Union (Gubanyi, 1997, and later supplements in the Nebraska Bird Review, to 84:138-150). The NOU's official state list of birds (461 species as of 2017) is based on actual specimen evidence or some other convincing basis of each species' proven occurrence in the state. That list includes 337 "regular" species, 29 "casual" species, 90 "accidental" species, and 5 extinct or extirpated species. In this edition I have classified 368 of the 461 species of Nebraska birds as ranging in relative frequency of occurrence as "abundant" to "rare." There are also 61 species considered to be of "accidental" occurrence, having been reliably reported in Nebraska no more than five times, 20 that are considered "extremely rare" or "very rare," if reported from six to 25 times. There are also three extinct, four extirpated, and five unsuccessfully introduced species. Thirteen hypothetical species of dubious origin or identification are mentioned parenthetically. The text includes more than 123,000 words, nearly 200 literature references, and 19 pages of drawings and maps.