FROM POPULAR AUTHOR OF LGBTQIA ROMANCE JASON WRENCH Book two in the Love and Liquidation series Unseen enemies, hidden agendas and a love that defies all odds... The battle against extremism gets personal. Graduate student Blayne Dickenson and boy-band member Ethan Bond are jolted out of their lives when a concert takes a deadly turn, marking the beginnings of a meticulously planned coup on the shadowy organization known as The Foundation. An unexpected, injured visitor thrusts them deeper into this chaos, revealing a conspiracy against Pennington University. As threats mount, Blayne and Ethan' s bond becomes their anchor amid the chaos. Yet, when caught in the crosshairs of a vengeful vendetta, can their love withstand the onslaught? By some, they are honored as heroes, but their accolades come with perilous consequences. A lethal threat shadows their every step, demanding a perilous dance of wit and courage. Can they avert a catastrophic blow from a homegrown extremist group, or will their world crumble? Will their relationship with The Foundation take unexpected twists?

Literature, Modernism, and Dance explores the complex reciprocal relationship between literature and dance in the modernist period

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.

The first complete entertainment dictionary to be published, this work contains entries on acting in film, professionalism in acting, verse technique, and more. An invaluable index of subjects by category covers 17 topics, including lighting, commercials, contracts, drama, professional organizations, the media, and theater.

Describes the history, customs and traditions of Latin American and Caribbean dance.

Moving Otherwise examines how contemporary dance practices in Buenos Aires, Argentina enacted politics within climates of political and economic violence from the mid-1960s to the mid-2010s. From the repression of military dictatorships to the precarity of economic crises, contemporary dancers and audiences consistently responded to and reimagined the everyday choreographies that have accompanied Argentina's volatile political history. The titular concept, "moving otherwise" names how both concert dance and its off-stage practice and consumption offer alternatives to and modes to critique the patterns of movement and bodily comportment that shape everyday life in contexts marked by violence. Drawing on archival research based in institutional and private collections, over fifty interviews with dancers and choreographers, and the author's embodied experiences as a collaborator and performer with active groups, the book analyzes how a wide range of practices moved otherwise, including concert works, community dance initiatives, and the everyday labor that animates dance. It demonstrates how these diverse practices represent, resist, and remember violence and engender new forms of social mobilization on and off the theatrical stage. As the first book length critical study of Argentine contemporary dance, it introduces a breadth of choreographers to an English speaking audience, including Ana Kamien, Susana Zimmermann, Estela Maris, Alejandro Cervera, Renate Schottelius, Susana Tambutti, Silvia Hodgers, and Silvia Vladimivsky. It also considers previously undocumented aspects of Argentine dance history, including crossings between contemporary dancers and 1970s leftist political militancy, Argentine dance labor movements, political protest, and the prominence of tango themes in contemporary dance works that address the memory of political violence. Contemporary dance, the book demonstrates, has a rich and diverse history of political engagement in Argentina.