The United States is locked into three prolonged conflicts without much hope of early resolution. Iran is pursuing a nuclear program; the aftermath of the overthrow of Saddam Hussein has seen unrelenting intercommunal violence; and the Taliban have got back into Afghanistan. George W. Bush will almost certainly leave office without solving any of these big foreign policy issues that have defined his presidency. Sir Lawrence Freedman, distinguished historian of 20th-century military and political strategy, teases out the roots of each engagement over the last thirty years and demonstrates with clarity and scholarship the influence of these conflicts upon each other. How is it that the US manages to find itself fighting on three different fronts? Freedman supplies a context to recent events and warns against easy assumptions: neo-conservatives, supporters of Israel and the hawks are not the sole reasons for the failure to develop a viable foreign policy in the Middle East. The story is infinitely more complex and is often marked by great drama. Unique in its focus, this book will offer new revelations about the history of the US in the region, and about America’s role in the wider world. A Choice of Enemies is essential reading for anyone concerned with the complex politics of the Middle East and with the future of American foreign policy. “Freedman is not just a good historian but a terse, readable writer.” Simon Jenkins, Sunday Times (UK)

A colony of Canadian and American writers and filmmakers, exiled by McCarthyist witch-hunts at home, find themselves in London, England, where they evolve a society every bit as merciless, destructive, and close-minded as that from which they have fled. The bonds of the group are strained when Norman Price, an academic turned hack writer, befriends an enigmatic German refugee. Ostracized by his colleagues, Norman soon perceives how easily conviction devolves into tyranny. Believing that “all alliances are discredited,” he enters a moral nightmare in which his choice of enemies is no longer clear. With relentless irony and biting accuracy, Mordecai Richler maps out a surreal territory of doubt, describing not only one man’s personal dilemma but the moral condition of modern society.

Former car thief Ray Lilly is now the expendable grunt of a sorcerer responsible for destroying extradimensional predators summoned to our world by power-hungry magicians. Luckily, Ray has some magic of his own, and so far it’s kept him alive. But when a friend from his former gang calls him back to his old stomping grounds in Los Angeles, Ray may have to face a threat even he can’t handle. A mysterious spell is killing Ray’s former associates, and they blame him. Worse yet, the spell was cast by Wally King, the sorcerer who first dragged Ray into the brutal world of the Twenty Palace Society. Now Ray will have to choose between the ties of the past and the responsibilities of the present, as he and the Society face not only Wally King but a bizarre new predator.

C. P. Ellis grew up in the poor white section of Durham, North Carolina, and as a young man joined the Ku Klux Klan. Ann Atwater, a single mother from the poor black part of town, quit her job as a household domestic to join the civil rights fight. During the 1960s, as the country struggled with the explosive issue of race, Atwater and Ellis met on opposite sides of the public school integration issue. Their encounters were charged with hatred and suspicion. In an amazing set of transformations, however, each of them came to see how the other had been exploited by the South's rigid power structure, and they forged a friendship that flourished against a backdrop of unrelenting bigotry. Rich with details about the rhythms of daily life in the mid-twentieth-century South, The Best of Enemies offers a vivid portrait of a relationship that defied all odds. By placing this very personal story into broader context, Osha Gray Davidson demonstrates that race is intimately tied to issues of class, and that cooperation is possible--even in the most divisive situations--when people begin to listen to one another.

Rory and her friends are determined to stop the Snow Queen once and for all in this thrilling conclusion to the Ever Afters series, which Kirkus Reviews calls a “fast-paced combination of middle school realism and fairy-tale fantasy.” How will this tale end? The whole fairy-tale world is on high alert. The Snow Queen and her minions are targeting Characters, and Ever After School is the only safe refuge left. Rory Landon knows a final confrontation is inevitable, and she worries about the safety of her family and friends—particularly Chase, who has been acting very strange lately. Will Rory be able to count on Chase when she needs him most? Is she strong enough to put an end to the Snow Queen’s terrible reign once and for all? Only one thing is certain: it’s time for Rory to find out if her tale ends in happily-ever-after.

Based on never-before published material from the Richler archives as well as interviews with family members, friends, and acquaintances, Mordecai Richler: Leaving St Urbain shows how Richler consistently mined his remarkable life for material for his novels. Beginning with the early clashes with his grandfather over Orthodox Judaism, and exposing the reasons behind his life-long quarrel with his mother, Kramer follows Richler as he flees to Ibiza and Paris, where he counted himself as one of the avant-garde who ushered in the 1960s. His successes abroad gave him the opportunity to remain in England and leave novel-writing behind — but he did neither. More than a biography, Mordecai Richler: Leaving St Urbain is the story of a Jewish culture finding its place within a larger stream, a literary culture moving into the colloquial, and a Canada torn between nationalism and cosmopolitanism.