This classic Chinese folk tale is part of a series entitled A Chinese Wonder. The series was originally published in anthology form in 1919. Each story has been lovingly reproduced and includes the original (cover) art of Li Chu T'ang. This volume tells the story of the connection between an old widow and a tiger.

This book is intended to give the reader an account of the origin and history of Hallowe'en, how it absorbed some customs belonging to other days in the year,—such as May Day, Midsummer, and Christmas. The context is illustrated by selections from ancient and modern poetry and prose, related to Hallowe'en ideas. Those who wish suggestions for readings, recitations, plays, and parties, will find the lists in the appendix useful, in addition to the books on entertainments and games to be found in any public library. Special acknowledgment is made to Messrs. E. P. Dutton & Company for permission to use the poem entitled "Hallowe'en" from "The Spires of Oxford and Other Poems," by W. M. Letts; to Messrs. Longmans, Green & Company for the poem "Pomona," by William Morris; and to the Editors of The Independent for the use of five poems.

This classic Chinese folk tale is part of a series entitled A Chinese Wonder. The series was originally published in anthology form in 1919. Each story has been lovingly reproduced and includes the original (cover) art of Li Chu T'ang. This volume tells two stories. The first is about two true friends who find a golden nugget.The second story is about a man who pays a magical price for his selfish habits.

At the hour when these strangers entered the public square, a large crowd had gathered, for it was a feast day, and every one was bent on having a good time. All the people seemed very happy. Some, seated in little open-air booths, were eating, drinking, and smoking. Others were buying odds and ends from the street-vendors, tossing coins, and playing various games of chance.

Writing under the pseudonym of Bo Yang, Guo Yidong has been a trenchant critic of Chinese people and their culture since he fled to Taiwan in 1949. This is a collection of his speeches and articles, which blame Confucianism for these cultural ills. Included are responses from other commentators.