A short story. Venice , August 1576 Historical Novel Society Short Story Winner 2018 The fate of Venice’s greatest artist depends on a plague doctor with a grudge. Award-winning author jean Gill, the master of historical intrigue, walks the plague-ridden streets of medieval Venice with Death at her side.

Jennifer McKitrick offers an opinionated guide to the philosophy of dispositions. In her view, when an object has a disposition, it is such that, if a certain type of circumstance were to occur, a certain kind of event would occur. Since it is very common for this to be the case for a variety of reasons, dispositions are very abundant and diverse. They include such varied properties as character traits like a hero's courage, characteristics of physical objects like a wine glass's fragility, and characteristics of microphysical entities like an electron's charge. Some dispositions are natural while others are non-natural. Some dispositions called "powers" are ungrounded while non-fundamental dispositions are grounded in other properties. Some dispositions manifest constantly, some of them manifest spontaneously, while others manifest only when they are triggered to do so. Some dispositions manifest by causing another dispositional property to be instantiated, while others have manifestations that involve non-dispositional properties and relations. Some dispositions are intrinsic to their bearers while others are extrinsic. Some of them are causally relevant to their manifestations while others are not. Some dispositions manifest in some particular way in particular circumstances, while other dispositions manifest in various ways in various circumstances. What makes all of these diverse properties dispositions is their connection to a certain kind of counterfactual fact. Nevertheless, disposition ascriptions are not semantically reducible to counterfactual claims.

There is widespread debate in contemporary philosophy of mind over the place of conscious experiences in the natural world – where the latter is taken to be broadly as described and explained by such sciences as physics, chemistry and biology; while conscious experiences encompass pains, bodily sensations, perceptions, feelings and moods. Many philosophers and scientists, who endorse physicalism or materialism, maintain that these mental states can be completely described and explained in natural terms. Frank Jackson’s knowledge argument is a very influential objection to physicalism and, thus, to such an optimistic view about the scientific treatability of conscious experiences. According to the knowledge argument, we can know facts about our colour experiences that are not physical facts. At the heart of this book lies a response to the knowledge argument that aims to defend a version of physicalism, that the author calls modest reductionism. This reply is based on the endorsement of the phenomenal concept strategy. According to this response, the knowledge argument cannot prove that there are non-physical facts. Instead, it can only show that there are ways of thinking about colour experiences that are based on phenomenal concepts that differ from scientific concepts. The author argues for the superiority of the phenomenal concept strategy over other influential physicalist replies to the knowledge argument. However, he criticises some recent physicalist accounts of phenomenal concepts and develops his own distinctive theory of these concepts.

A lengthy critique of Kant's apriorism precedes discussions on the ethical principles of eudaemonism, utilitarianism, pragmatism, and positivism.