A bilingual edition of the most famous of Henri Michaux's poetry collections, now in a new translation from the French. The figure of Plume preoccupied the great Belgian poet Henri Michaux throughout his career. Plume, meaning feather or pen, is a character who drifts from one thing to another, losing shape, taking new forms, at perpetual risk from reality. He is a personification of the imagination as subject to innumerable pratfalls and disgraces, and yet indestructible for all that. In this new bilingual edition, with translations by Richard Sieburth, the entire Plume cycle appears for the first time in English in the form in which Michaux originally published it.

A bilingual edition of the most famous of Henri Michaux's poetry collections, now in a new translation from the French. The figure of Plume preoccupied the great Belgian poet Henri Michaux throughout his career. Plume, meaning feather or pen, is a character who drifts from one thing to another, losing shape, taking new forms, at perpetual risk from reality. He is a personification of the imagination as subject to innumerable pratfalls and disgraces, and yet indestructible for all that. In this new bilingual edition, with translations by Richard Sieburth, the entire Plume cycle appears for the first time in English in the form in which Michaux originally published it.

This fully-illustrated catalogue accompanies the first exhibition curated by Brett Gorvy for the gallery. Titled 'Intimate Infinite', the exhibition features nearly one hundred artworks by twenty-seven artists, including Hans Bellmer, Lee Bontecou, Bruce Conner, Joseph Cornell, Jean Dubuffet, Eva Hesse, Jasper Johns, Henri Michaux, Carol Rama, Robert Ryman, Yves Tanguy, Cy Twombly, and Hannah Wilke. Documenting masterpieces that are rarely on public display, the publication offers a unique perspective on viewership and collecting. In its pages, Gorvy explores the practice of looking and the ways in which we, as viewers, connect with the artistic imagination. An essay by Suzanne Hudson examines works by Johns, Ryman, and Twombly, while Sarah K. Rich considers the practice of using hallucinogens to break down boundaries within the self, as was done by such artists as Michaux and Conner. A new translation of an excerpt from Henri Michaux?s 1957 text 'Infinite Turbulence' offers the reader a window into the mind of an artist on mescaline. Miranda Mellis?s work of short fiction 'The Emissaries' conjures a dystopian narrative that beautifully responds to works by Bellmer, Conner, Dubuffet, and Rama, and Pablo Neruda?s poem 'Ode to Things' accompanies reproductions of works by Cornell.00Exhibition: Lévy Gorvy Gallery, New York, USA (06.09.-24.10.2018).

From Yiddish-speaking Russian-Lithuanian feather handlers in South Africa to London manufacturers and wholesalers, from New York's Lower East Side to entrepreneurial farms in the American West, this text explores the details of a remarkably vibrant yet ephemeral culture.

Critics have compared the work of French writer Henri Michaux (1899-1984) to such diverse artists as Kafka, Goya, Swift, Klee, and Beckett. This anthology contains substantial selections from almost all of Michaux's major works, most never before published in English, and allows readers to explore the haunting verbal and pictorial landscape of a 20th-century visionary. 30 photos.

Perkins, a former chief economist at a Boston strategic-consulting firm, confesses he was an "economic hit man" for 10 years, helping U.S. intelligence agencies and multinationals cajole and blackmail foreign leaders into serving U.S. foreign policy and awarding lucrative contracts to American business.

"This book is an exploration. By means of words, signs, drawings. Mescaline, the subject explored." In Miserable Miracle, the great French poet and artist Henri Michaux, a confirmed teetotaler, tells of his life-transforming first encounters with a powerful hallucinogenic drug. At once lacerating and weirdly funny, challenging and Chaplinesque, his book is a breathtaking vision of interior space and a piece of stunning writing wrested from the grip of the unspeakable. Includes forty pages of black-and-white drawings.