NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS A Century Of Wrong: Issued By F. W. Reitz With Preface By W. T. Stead This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

Combining insights from imperial studies and transnational book history, this provocative collection opens new vistas on both fields through ten accessible essays, each devoted to a single book. Contributors revisit well-known works associated with the British empire, including Charlotte Brontë's Jane Eyre, Thomas Macaulay's History of England, Charles Pearson's National Life and Character, and Robert Baden-Powell's Scouting for Boys. They explore anticolonial texts in which authors such as C. L. R. James and Mohandas K. Gandhi chipped away at the foundations of imperial authority, and they introduce books that may be less familiar to students of empire. Taken together, the essays reveal the dynamics of what the editors call an "imperial commons," a lively, empire-wide print culture. They show that neither empire nor book were stable, self-evident constructs. Each helped to legitimize the other. Contributors. Tony Ballantyne, Elleke Boehmer, Catherine Hall, Isabel Hofmeyr, Aaron Kamugisha, Marilyn Lake, Charlotte Macdonald, Derek Peterson, Mrinalini Sinha, Tridip Suhrud, André du Toit

In this book, the authors cover both familiar and unfamiliar themes. One of the principal themes running throughout the book addresses head-on the deficiency in the literature highlighted by Saul Dubow, namely, the question of racism and Smuts’s reluctance to implement ‘native’ policies that may have averted future problems, rather than postpone them. We see throughout, a gap between the rhetoric and policy, and between policy and practice in its implementation. Amongst the familiar themes that are reappraised, are Smuts’s successes and failures in policies and leadership, domestically and internationally. ‘This wide-ranging volume re-evaluates myriad aspects of Smuts’ life, philosophy, political career and legacy. An important and timely book exploring one of South Africa’s most consequential and controversial leaders.’ Luc-Andre Brunet – Contemporary International History, The Open University. The book is a great contribution to South African cultural and social history. With the military element covered in other publications, the editors and authors have focussed on the less well-trodden aspects of Smuts’s history including but not limited to discussions on the atomic bomb, counter-revolution, film, early cabinets, racialism, trusteeship, ‘greatness’, political philosophy, racial segregation, and myth-making. The editors have skilfully continued the longer political discussion, reflecting on the myth and legacy of a prominent South African - Smuts. Antonio Garcia, Stellenbosch University, coauthor of Botha, Smuts and the First World War, co-founder Underground Strategy.