From his first publication of hymns in 1707, common knowledge regarding Isaac Watts (1674–1748) often revolves around his hymn-writing legacy. Though Watts legacy as a hymnographer is significant, he also functions as a key transitional figure between the English Puritans and the Evangelicals during eighteenth-century English dissent. As a pastor, theologian, philosopher, and literary mainstay of his era, Watts' influence grew well beyond his early work in hymnody to impact scores of Christians on both sides of the Atlantic. Watts' approach to Christian spirituality is an area of his thought thats been unexplored. This book provides the first ever analysis of Watts' theological vision for the Christian spiritual life. In emphasizing the experience of holiness and happiness, Watts leans heavily upon his Reformed theological heritage to underscore how knowing and loving God are central to God's preparation of the soul for heaven.

Here is a skillful tracing of two tracks in the evolution of musical genres that have evolved from black religion. Songs of protest developed from the spiritual through social-gospel hymnody to culminate in songs of the civil-rights movement and the blues. Born in rebellion, they envision the Kingdom of God.Songs of praise, by contrast, express adoration. Beginning with the "ring-shout," Spencer follows the history of intoned declamation through the tongue song, Holiness-Pentecostal music, and the chanted sermon of the black preacher. Spencer's approach, termed theomusicology, unlocks the wealth of African-American sacred music with a theological key. The result is a fascinating account of a people's struggle with God in history.