This new catalogue describes the holdings of the so-called Pandit Collection held at the Royal Library, Copenhagen. A diverse collection of more than 1,200 Sanskrit texts, it comprises codices ranging in length from several hundred folios to a single folio, or a manuscript fragment, often produced by educated (or in other cases by less educated) scribes. The Pandit Collection was purchased in Pune (Maharashtra) in the early 1920s from its now-unknown previous owner by the Danish indologist Poul Tuxen. As its name suggests, it is the Sanskrit manuscript collection of a pandit, a traditionally educated Indian scholar, part of it acquired by earlier generations of his brahmanic family. That makes the collection interesting from cultural-historical and anthropological points of view since it documents the wide range of learning, professional tasks and social functions that were covered by Indian scholars active in the last days of their pre-modern educational and scholarly tradition. Designed especially as an essential source of reference for scholars working in all aspects of manuscript studies, the catalogue includes numerous illustrations (many in colour) that help to identify the texts and give a glimpse of the condition, calligraphic styles and decorative elements of the manuscripts.

This volume, the outcome of a seminar organized at the International Institute for Asian Studies, Leiden, marks an important advancement in the study of South Indian Sanskrit manuscripts which are predominantly on palm leaf and rarely older than three to four centuries. Nevertheless, they continued a manuscript culture for around two millennia and had a profound impact on traditions of knowledge and culture. After an introductory essay (by J.E.M. Houben and S. Rath) addressing theoretical and historical issues of text transmission in manuscripts and in India’s remarkably strong oral memory culture, it contains twelve contributions dealing with South Indian manuscript collections in India and Europe (mainly of Vedic and Sanskrit texts) and with problems related to the scripts, the dating of manuscripts and India's literary and intellectual history. Contributors include: G. Colas, A.A. Esposito, M. Fujii, C. Galewicz, J.E.M. Houben, H. Moser, P. Perumal, K. Plofker, S. Rath, S.R. Sarma, D. Wujastyk, K.G. Zysk

This book is intended to facilitate access to the amazing wealth of documents written in the five major South Indian scripts. It focusses on the South Indian Sanskrit tradition, but also takes into account the modern alphabets of the respective Dravidian languages. The sometimes bewildering variety of the five scripts is mapped out in altogether c. 5200 basic characters, ligatures (i.e., vocalizations), conjuncts/consonant clusters, numerals, abbreviations etc. Special care has been taken to break down the complexity of Grantha Tamil in a system of graphic classification.The material surveyed comprises Sanskrit manuscripts as well as the Southern tradition of Sanskrit printing, and books in Dravidian languages (including Tranquebar prints).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This collection of essays explores the history of the book in pre-modern South Asia looking at the production, circulation, fruition and preservation of manuscripts in different areas and across time. Edited by the team of the Cambridge-based Sanskrit Manuscripts Project and including contributions of the researchers who collaborated with it, it covers a wide range of topics related to South Asian manuscript culture: from the material dimension (palaeography, layout, decoration) and the complicated interactions of manuscripts with printing in late medieval Tibet and in modern Tamil Nadu, to reading, writing, editing and educational practices, from manuscripts as sources for the study of religious, literary and intellectual traditions, to the creation of collections in medieval India and Cambodia (one major centre of the so-called Sanskrit cosmopolis), and the formation of the Cambridge collections in the colonial period. The contributions reflect the variety of idioms, literary genres, religious movements, and social actors (intellectuals, scribes, patrons) of ancient South Asia, as well as the variety of approaches, interests and specialisms of the authors, and their impassionate engagement with manuscripts.