Provides lively critiques of the elections and policies of American presidents ranging from Warren Harding to Franklin Roosevelt

These seventy political pieces from the 1920s and 1930s are drawn from Mencken's famous Monday columns in the Baltimore Evening Sun.

Controversial even before it was published in 1930, Treatise on the Gods collects Mencken's scathing commentary on religion.

This timely intervention exposes the euphemized language of the extreme right as a deceptive attempt to secure greater influence over public policy. Since the end of World War II, the extreme right has made strategic use of “doublespeak,” which apes the language of liberal democracy. Attentive observation and accurate recognition of these tactics means taking the extreme right’s deliberately crafted slogans, symbols, and themes seriously. These essays investigate the extreme right’s attempts at “repackaging” contemporary ultranationalism to make it more palatable to mainstream European and American tastes.

The perfect book for the 2012 elections. . . and beyond![Democracy] [i]is based on propositions that are palpably not true-and what is not true, as everyone knows, is always immensely more fascinating and satisfying to the vast majority of men than what is true...[/i]H.L. Mencken wrote [i]Notes on Democracy[/i] over 80 years ago. His time, the paranoid and intolerant years of World War I, Prohibition, and the Scopes trial, is strikingly like our own. [i]Notes[/i] isn't just a blast from the past; it's a perceptive report on today.In Notes, Mencken conducts a bold, libertarian attack on intrusive government, special interest groups, and mob rule that's as relevant today as it was in the 1920s.Notes has something that will appeal to -- and offend -- everyone. Liberals will love Mencken's denunciation of jingoism; conservatives and libertarians will root for his attacks on meddling laws, hand-outs, and equality.The new edition includes an introduction and annotations by Marion Elizabeth Rodgers, author of Mencken: The American Iconoclast, and an afterword by two-time Pulitzer Prize-winner Anthony Lewis.