Between 1902 and 1934, the United States confined hundreds of adults and children from dozens of Native nations at the Canton Asylum for Insane Indians, a federal psychiatric hospital in South Dakota. But detention at the Indian Asylum, as families experienced it, was not the beginning or end of the story. For them, Canton Asylum was one of many places of imposed removal and confinement, including reservations, boarding schools, orphanages, and prison-hospitals. Despite the long reach of institutionalization for those forcibly held at the Asylum, the tenacity of relationships extended within and beyond institutional walls. In this accessible and innovative work, Susan Burch tells the story of the Indigenous people—families, communities, and nations, across generations to the present day—who have experienced the impact of this history.

Tory Burch sees the world in color, inspired by people, places, and ideas—all of which influence her brand, synonymous with print and color. In her first book, she explores what living in color means to her. The book is organized by color, each one brought to life through images of her own collections and travels; how she entertains; style icons; the works of artists, authors, and interior designers she admires; and the advice of business leaders—many of whom are interviewed within. The book also offers a glimpse into the more personal moments in Tory’s life, such as family trips with her boys or the indelible ways in which her parents, Buddy and Reva Robinson, influenced her collection, company, and philosophy. The foreword is written by Anna Wintour, artistic director of Condé Nast and editor-in-chief of Vogue, and the cover features Damien Hirst's Beautiful Primal Urges Rug, © Damien Hirst and Science Ltd., all rights reserved / DACS, London / ARS, NY 2014. Courtesy of Other Criteria. 100% of the gross proceeds received by Tory Burch LLC from the sale of this book will benefit the Tory Burch Foundation.

Junius Wilson (1908-2001) spent seventy-six years at a state mental hospital in Goldsboro, North Carolina, including six in the criminal ward. He had never been declared insane by a medical professional or found guilty of any criminal charge. But he was deaf and black in the Jim Crow South. Unspeakable is the story of his life. Using legal records, institutional files, and extensive oral history interviews--some conducted in sign language--Susan Burch and Hannah Joyner piece together the story of a deaf man accused in 1925 of attempted rape, found insane at a lunacy hearing, committed to the criminal ward of the State Hospital for the Colored Insane, castrated, forced to labor for the institution, and held at the hospital for more than seven decades. Junius Wilson's life was shaped by some of the major developments of twentieth-century America: Jim Crow segregation, the civil rights movement, deinstitutionalization, the rise of professional social work, and the emergence of the deaf and disability rights movements. In addition to offering a bottom-up history of life in a segregated mental institution, Burch and Joyner's work also enriches the traditional interpretation of Jim Crow by highlighting the complicated intersections of race and disability as well as of community and language. This moving study expands the boundaries of what biography can and should be. There is much to learn and remember about Junius Wilson--and the countless others who have lived unspeakable histories.

Her world is shattered, but a poignant love story from the past gives her the will to love again in this feel good must read from Amazon's #1 bestselling author of One Lavender Ribbon and In the Light of the Garden. After a painful divorce from a narcissist, Angela Reed-Baker has taken up residence on the famous Wishing Beach Island, a destination known for granted wishes beneath the mysterious Banyan tree near her beachfront estate. Just as Angela begins to settle in, her life takes an unlikely turn when she discovers a tattered photograph of a young woman among her groundskeeper's belongings. Intrigued, she asks him about the picture. With time weathered fingers and an underlying sadness in his eyes, he slips the photo from Angela and admits the girl was, "The One." When he refuses to reveal more, Angela digs into his past. What happened to the young woman he loved? And why does there seem to be a judicial cover-up shrouding the story of the two star-crossed lovers, a cover-up that may reach all the way to the Florida Senate. But Angela's journey is also one of self-reinvention as she navigates life free from the bonds of her controlling ex-husband.With her handsome neighbor and new friend, mystery novelist Ryan North by her side, Angela embarks on a voyage of discovery but the trail quickly runs cold until she's whisked away to the romantic streets of Paris, France. She realizes the bonds of love shared by her groundskeeper and the young woman run as deep as the brooding Atlantic Ocean. Along with that love are dark secrets, long hidden, but with the power to threaten life as she knows it. Grab your copy now.

The field of disability history continues to evolve rapidly. In this collection, Susan Burch and Michael Rembis present essays that integrate critical analysis of gender, race, historical context, and other factors to enrich and challenge the traditional modes of interpretation still dominating the field. Contributors delve into four critical areas of study within disability history: family, community, and daily life; cultural histories; the relationship between disabled people and the medical field; and issues of citizenship, belonging, and normalcy. As the first collection of its kind in over a decade, Disability Histories not only brings readers up to date on scholarship within the field but fosters the process of moving it beyond the U.S. and Western Europe by offering work on Africa, South America, and Asia. The result is a broad range of readings that open new vistas for investigation and study while encouraging scholars at all levels to redraw the boundaries that delineate who and what is considered of historical value. Informed and accessible, Disability Histories is essential for classrooms engaged in all facets of disability studies within and across disciplines.

Describes the culture, religion, and daily life of the Eskimos, explains their family and community relationships, and looks at tools, masks, clothings, and carvings