A team of the early childhood field's foremost experts and presenters share insight and perspectives on twelve professional development topics.

The second book from the Sunday Times bestselling author 'Honest, open, emotional and powerful... in this book, once more, her heart is laid bare' Giovanna Fletcher 'Beautifully emotional and healing' Genelle Aldred 'Heartbreaking yet uplifting... I was truly holding my breath' Cat Strawbridge, The Finally Pregnant podcast ***** 'It turns out there are plenty of us: the unlucky ones. The women whose journey into motherhood, or whose yearning for more children, has yet to be fulfilled by the universe. I am certain that in so many parts of my story I really am not the only one to have gone through it, so it makes sense to write it all down. For all of us - and for any parents who might go through some of what we did in the future too. So here it is, our journey to a rainbow. A story of fertility, trying again and, above all, hope.' After the death of her three-day-old son Teddy in 2016, Elle Wright never expected what came next - that the path to bringing home a living child could be so winding. Elle's loss was followed by three and a half years of endless waiting. She and her husband waited for test results, hospital appointments and so many new procedures to help with their experience of secondary infertility. This wait included friends announcing their happy news whilst Elle was experiencing three rounds of IVF and the loss of three more babies. Months and years slipped by, of immense physical and emotional toll, and still those two lines were just out of reach. Faced with constant questions, drugs, negative tests, tears, loss, frustration and so many more tears, throughout it all Elle managed to still believe that one day it would happen for her, somehow... A Bump in the Road reflects the reality of becoming a parent for thousands of people like Elle who have difficulty conceiving in the UK today. It captures Elle's journey to a rainbow, comforting through her beautifully written words with a story of fertility that might just reflect yours, too.

When twenty-seven-year-old event planner and blogger Clare Finnegan got married, she didn't mind moving out of the city. After all, a suburban existence didn't necessarily equal domesticity, book club parties, and a subscription to Martha Stewart Living. But when, after a weekend in Vegas, Clare discovers she's pregnant, she is thrown into a world where eating lunchmeat is equivalent to smoking crack and maternity clothes appear to have been molested by a BeDazzler. In the midst of her slow transition from beer bottles to baby bottles, Clare juggles burgeoning Internet stardom, plans Chicago's biggest black-tie gala, wrangles her traditional in-laws who are scandalized by her every choice, and attempts to keep the peace between her two feuding best friends. Not only funny but smart, sassy, and witty, to boot, this is a debut novel that will have you laughing for a good nine months.

How is it that words come to stand for the things they stand for? Is the thing that a word stands for - its reference - fully identified or described by conventions known to the users of the word? Or is there a more roundabout relation between the reference of a word and the conventions that determine or fix it? Do words like 'water', 'three', and 'red' refer to appropriate things, just as the word 'Aristotle' refers to Aristotle? If so, which things are these, and how do they come to be referred to by those words? In Roads to Reference, Mario Gómez-Torrente provides novel answers to these and other questions that have been of traditional interest in the theory of reference. The book introduces a number of cases of apparent indeterminacy of reference for proper names, demonstratives, and natural kind terms, which suggest that reference-fixing conventions for them adopt the form of lists of merely sufficient conditions for reference and reference failure. He then provides arguments for a new anti-descriptivist picture of those kinds of words, according to which the reference-fixing conventions for them do not describe their reference. This book also defends realist and objectivist accounts of the reference of ordinary natural kind nouns, numerals, and adjectives for sensible qualities. According to these accounts these words refer, respectively, to 'ordinary kinds', cardinality properties, and properties of membership in intervals of sensible dimensions, and these things are fixed in subtle ways by associated reference-fixing conventions.

Pregnant at 15. These are the words I didn't think I would ever have to live with.Alex and I thought we were careful. Becoming accidentally pregnant was obviously written in the stars for me. I can't know what the future holds, or if Alex will even stick around. But the one thing I know for sure; I'll turn this hardship into a blessing. With or without anyone else.

A hope-filled collection of real life stories by inspiring young girls from different backgrounds who all experienced God's grace and redemption in their journeys through unplanned pregnancy.

Speed Bumps on a Dirt Roadis a living document of country music's founding fathers and mothers. John Cohen photographed musicians, at home, backstage at public events, from the wings at fiddlers' conventions, out in country music parks, and in the studio for live radio show performances and recording sessions. Back in 1961 it was still possible to know a few of America's original country musicians from the '20s and '30s. Renowned and celebrated musician and artist John Cohen came of age at the confluence of old time and early bluegrass music, the historic intersection of traditional and folk music. Cohen traveled the country playing music, recording, and documenting what was to be a generation of musicians who would influence American music and culture for decades to come. Traveling between the Union Grove fiddlers' convention to the Grand Ole Opry to a coal celebration in Hazard, Kentucky, Cohen made historic photographs of performers like Bill Monroe and Doc Watson, the country's very first all-bluegrass show, and a bluegrass bar in Baltimore, among much more.Speed Bumps on a Dirt Roadpresents old time music as the root of country music. Includes photographs of: Flatt & Scruggs, fiddler "Eck" Robertsonin Amarillo, Texas, Doc Watson, bluegrass fiddler "Tex" Logan, the Stanley Brothers at Sunset Park, Sara and Maybelle of the Carter Family, and Cousin Emmy, Alice & Hazel, and a dulcimer in a parking lot.