Rodger embarks on a mission to Florence, in search of an elusive assassin... In his fourth journal, A Brood of Vipers, Roger Shallot encounters treacherous conspiracies and terrible murders as he journeys from Tudor London to Florence. Paul Doherty's Tudor mysteries are perfect for fans of Susannah Gregory and C. J. Sansom. Spring 1523. Benjamin Daunbey and his rapscallion servant, Roger Shallot, are summoned to London. A Florentine envoy, Lord Francesco Abrizzi, has been murdered and King Henry is determined to unmask the perpetrators of this outrage. In London, Shallot experiences King Henry's rage, the insults of the Abrizzis and a murderous attack. Shallot, a born coward, wants to crawl away and hide, but the King and Wolsey insist that he and Benjamin go to Florence, find Abrizzi's assassin, deliver a secret message, and bring back a Florentine painter. It sounds simple enough - but the reality is murderously different. What readers are saying about Paul Doherty: 'Paul Doherty weaves a tangled web of murder and intrigue' 'These novels vividly bring the dirt, squalor and adventure of Henry VIII's reign to life' 'Excellent story. Always enjoyed the Shallot stories, he is a lovable rouge'

One of the finest historical fiction writers in the world - Ben Kane After the bloody trials of Alexandria, Sir William Gold is readying for a pilgrimage to Jerusalem to ease the burden on his soul. He hopes, too, that the Holy City might allow his relationship with Emile, cousin of the Green Count of Savoy, to develop. But the Roman Emperor of Constantinople has been taken hostage by an unknown enemy, and the Green Count is vital to the rescue effort. It is up to Sir William to secure his support, but he soon finds that his past, and his relationship with Emile, might have repercussions he had not foreseen... Suddenly thrust onto the stage of international politics, Sir William finds himself tangled in a web of plots, intrigue and murder. He must hold true to his chivalric principles, and to his knights, if he is to save the Emperor and survive to tell the tale.

When the feared royal executioners begin to die grisly deaths themselves, Sir Roger Shallot must investigate

Anarchy and unrest make for a deadly investigation... In the first journal of Roger Shallot, the Tudor sleuth writes of the murders and villainy perpetrated during the reign of King Henry VIII in Paul Doherty's masterful novel, The White Rose Murders. Perfect for fans of Susannah Gregory and C. J. Sansom. 'The best of its kind since the death of Ellis Peters' - Time Out In 1517 the English armies have defeated and killed James IV of Scotland at Flodden and James's widow-queen, Margaret, sister to Henry VIII, has fled to England, leaving her crown under a Council of Regency. Roger Shallot is drawn into a web of mystery and murder by his close friendship with Benjamin Daunbey, the nephew of Cardinal Wolsey, first minister of Henry VIII. Benjamin and Roger are ordered into Margaret's household to resolve certain mysteries as well as to bring about her restoration to Scotland. They begin by questioning Selkirk, a half-mad physician imprisoned in the Tower. He is subsequently found poisoned in a locked chamber guarded by soldiers. The only clue is a poem of riddles. However, the poem contains the seeds for other gruesome murders. The faceless assassin always leaves a white rose, the mark of Les Blancs Sangliers, a secret society plotting the overthrow of the Tudor monarchy... What readers are saying about The White Rose Murders: 'Roger is a rogue and a villain, but so engaging that the reader soon becomes entangled in the complex mysteries' 'The plots are always original and interesting and populated by a wonderful cast of characters' 'Paul Doherty has a great talent for describing the gory and realistic details of Tudor life and bases his story on facts, which make it credible as well as a very entertaining whodunit'

Deploying literary analysis, theories of emotion from the sciences and humanities, and an archival account of Tudor history, Emotion in the Tudor Court examines how literature both reflects and constructs the emotional dynamics of life in the Renaissance court. In it, Bradley J. Irish argues that emotionality is a foundational framework through which historical subjects embody and engage their world, and thus can serve as a fundamental lens of social and textual analysis. Spanning the sixteenth century, Emotion in the Tudor Court explores Cardinal Thomas Wolsey and Henrician satire; Henry Howard, Earl of Surrey, and elegy; Sir Philip Sidney and Elizabethan pageantry; and Robert Devereux, Earl of Essex, and factional literature. It demonstrates how the dynamics of disgust,envy, rejection, and dread, as they are understood in the modern affective sciences, can be seen to guide literary production in the early modern court. By combining Renaissance concepts of emotion with modern research in the social and natural sciences, Emotion in the Tudor Court takes a transdisciplinary approach to yield fascinating and robust ways to illuminate both literary studies and cultural history.

In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, T

Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.