A reader’s fictional tour of the art and lives of some of the great 20th-century Surrealists An author (a version of Vila-Matas himself) presents a short “history” of a secret society, the Shandies, who are obsessed with the concept of “portable literature.” The society is entirely imagined, but in this rollicking, intellectually playful book, its members include writers and artists like Marcel Duchamp, Aleister Crowley, Witold Gombrowicz, Federico García Lorca, Man Ray, and Georgia O’Keefe. The Shandies meet secretly in apartments, hotels, and cafes all over Europe to discuss what great literature really is: brief, not too serious, penetrating the depths of the mysterious. We witness the Shandies having adventures in stationary submarines, underground caverns, African backwaters, and the cultural capitals of Europe.

A history of one of humankind’s most resilient and influential technologies over the past millennium—the book. Revelatory and entertaining in equal measure, Portable Magic will charm and challenge literature lovers of all kinds as it illuminates the transformative power and eternal appeal of the written word. Stephen King once said that books are “a uniquely portable magic.” Here, Emma Smith takes readers on a literary adventure that spans centuries and circles the globe to uncover the reasons behind our obsession with this captivating object. From disrupting the Western myth that the Gutenberg Press was the original printing project, to the decorative gift books that radicalized women to join the anti-slavery movement, to paperbacks being weaponized during World War II, to a book made entirely of plastic-wrapped slices of American cheese, Portable Magic explores how, when, and why books became so iconic. It’s not just the content within a book that compels; it’s the physical material itself, what Smith calls “bookhood”: the smell, the feel of the pages, the margins to scribble in, the illustrations on the jacket, its solid heft. Every book is designed to influence our reading experience—to enchant, enrage, delight, and disturb us—and our longstanding love affair with books in turn has had direct, momentous consequences across time.

Tells the story of a hunchback who is a failed writer that has no luck with women. He is a self-described "Bartleby", named after the Herman Melville character; someone who, when asked to reveal information about themselves, will respond that they "would prefer not to."

In this novel, Enrique Vila-Matas traces a journey connecting the worlds of Joyce and Beckett, and all they symbolize. One night, a renowned and now retired literary publisher has a vivid dream that takes place in Dublin, a city he’s never visited. The central scene of the dream is a funeral in the era of Ulysses. The publisher would give anything to know if an unidentified character in his dream is the great author he always wanted to meet, or the ghostly angel who abandoned him during childhood. As the days go by, he will come to understand that his vision of the end of an era was prophetic. Enrique Vila-Matas traces a journey that connects the worlds of Joyce and Beckett, revealing the difficulties faced by literary authors, publishers, and good readers in a society where literature is losing influence. A robust work, Dublinesque is a masterwork of irony, humor, and erudition by one of Spain’s most celebrated living authors.

A puzzling phone call shatters a writer's routine. An enigmatic female voice extends an invitation to take part in Documenta, the legendary contemporary art exhibition held every five years in Kassel, Germany. The writer's mission will be to transform himself into a living art installation, by sitting down to write every morning in a Chinese restaurant on the outskirts of town. Once in Kassel, the writer is surprised to find himself overcome by good cheer as he strolls through the city, spurred on by his spontaneous, quirky response to art. With humour, profundity and a sharp eye, Enrique Vila-Matas tells the story of a solitary man roaming the streets amid oddities and wonder.

A novella—half joke and half nightmare— by "Spain's most significant contemporary literary figure" (The New Yorker) Because She Never Asked is a story reminiscent of that reached by the travelers in Patricia Highsmith's Stranger on a Train. The author first writes a piece for the artist Sophie Calle to live out: a young, aspiring, French artist travels to Lisbon and the Azores in pursuit of an older artist whose work she’s in love with. The second part of the story tells what happens between the author and Calle. She eludes, him; he becomes blocked, and suffers physical collapse. “Something strange happened along the way,” Vila-Matas wrote. “Normally, writers try to pass a work of fiction off as being real. But in Because She Never Asked, the opposite occurred: in order to give meaning to the story of my life, I found that I needed to present it as fiction.”

A history of English from the age of Beowulf to the rap of Eminem, “written with real authority, enthusiasm and love for our unruly and exquisite language” (The Washington Post). Many have written about the evolution of grammar, pronunciation, and vocabulary, but only Seth Lerer situates these developments within the larger history of English, America, and literature. This edition of his “remarkable linguistic investigation” (Booklist) features a new chapter on the influence of biblical translation and an epilogue on the relationship of English speech to writing. A unique blend of historical and personal narrative, both “erudite and accessible” (The Globe and Mail), Inventing English is the surprising tale of a language that is as dynamic as the people to whom it belongs. “Lerer is not just a scholar; he's also a fan of English—his passion is evident on every page of this examination of how our language came to sound—and look—as it does and how words came to have their current meanings…the book percolates with creative energy and will please anyone intrigued by how our richly variegated language came to be.”—Publishers Weekly (starred review)