In A Brief History of Gardening, Harvard graduate and gardener Neil Fairbairn chronicles more than 8,500 years of gardening with wit and irreverence. Fairbairn's gift for story-telling is evident throughout this engaging glimpse at the history of seed-sowing throughout the world, beginning in 6500 B.C. to the year 2000 and beyond. The book's nine chapters are arranged chronologically and are comprised of short, informative entries covering a particular person, event, or movement important to gardening. Readers will learn: -- The first evidence of conservation dates from 2700 B.C. China, where an agricultural document taught that "mountains exhausted of forests are washed bare by torrents" -- The Kama Sutra directed virtuous women in A.D. 350 to keep a garden, perhaps to work up an appetite for the other activities detailed in the text -- England in 1597 did not take kindly to the American tomato, believing it to be not only poisonous but also "of ranke and stinking savor" More than 250 full-color photographs and illustrations grace the entries, and each chapter contains a two-page timeline that gives readers a sense of movement through history. Pairing an elegant, clean design with a lively tone, A Brief History of Gardening is a beautiful and entertaining guide sure to be picked up again and again.

Get out in your garden and discover the history hidden in the hedges. Did the Romans have rakes? Did the monks get muddy? Did potatoes seem really, really weird when they arrived on our shores? Drawn from Jenny Uglow's own love for plants, this lively 'potted' history of gardening in Britain takes us on a garden tour from the thorn hedges around prehistoric settlements to the rage for ornamental grasses and 'outdoor rooms' today. Tracking down the ordinary folk who worked the earth - from weeding women to florists - as well as aristocrats and grand designers and famous plant-hunters, A Little History of British Gardening is brought to life by gorgeously vivid illustrations and Uglow's insightful wisdom. Not only dealing with flowery meads, grottoes and vistas, landscapes and ha-has, parks and allotments, Uglow explains, for example, how the Tudors made their curious knots; how housewives used herbs to stop freckles; how the suburbs dug for victory in World War II. With a brief guide to particular historic or evocative gardens open to the public, this is a book to put in your pocket when planning a crisp, winter's day out - but also to read in your armchair with a well-earned glass of red, after a hard day's graft in your own garden. 'Enchanting, stirringly evocative and fascinating' Daily Mail 'This book will be a joy for any gardener' Independent

"This book by Nils Buttner traces the history of gardens, as seen through the eyes of artists, over the course of 2,000 years. The focus of this book is not gardens themselves or different concepts of the garden, but rather the representation of gardens in art. In this study the author explains why pictures of gardens are a mirror of the social, historical, and aesthetic context in which gardens were conceived. He also examines how artists paint gardens by presenting some 185 beautifully reproduced pictures, including full views and details of both well-heralded and little-known masterpieces." "The wide-ranging coverage includes late-medieval devotional pictures featuring Madonnas in idyllic gardens, Botticelli's masterwork La Primavera, an allegory of love, set in a grove of orange trees, that was created for a bridal chamber; sixteenth-century views of well-known historic gardens, like those of the Vatican, which were in demand because of a new interest in geography and topography; realistic depictions of nature, without any attempt to beautify it, by Courbet and other so-called "naturalists'; painters' gardens, like Monet's Giverny; and representations of modern gardens, like David Hockney's Red Pots in the Garden, which are extremely varied in style and reflect the artist's subjectivity. In sum, the carefully chosen paintings in this book represent a progression of developments in art history and foster a deep appreciation for actual gardens as well as paintings of them."--BOOK JACKET.

A fascinating, definitive history of garden development and design. From the earliest documented gardens of ancient Mesopotamia to the eclectic landscapes of the 21st century, The Story of Gardening is an engaging tale of the development and design of the garden. Brimming with glorious full-color photographs, intriguing timelines that chart the histories and fashions of individual plants, and evocative narratives, Hobhouse draws on a lifetime of work to create an enlightening overview of designers and styles that have inspired her creations and forged her gardening philosophy.

As aptly categorized in the foreword: "This is gardening at ground level, history with (you might say) dirty fingernails." The late son of the Huxley dynasty of scientists chronicles the derived-from-agriculture gardening techniques and implements invented and used across cultures and the centuries (everything but power mowers it seems). Huxley also considers more recent trends: greater numbers of leisure gardeners optimizing smaller lots, growing from seed, and organic gardening. Includes numerous bandw illustrations. Originally published by Paddington Press. Annotation copyrighted by Book News, Inc., Portland, OR

A new edition of the classic gardening handbook details a simple yet highly effective gardening system, based on a grid of one-foot by one-foot squares, that produces big yields with less space and with less work than with conventional row gardens. Reissue. 30,000 first printing.

Oxford Botanic Garden is the oldest surviving botanic garden in Britain and has occupied its site in central Oxford since 1621. Conceived as a place to grow medicinal plants, born in the turmoil of civil war and nurtured during the restoration of the monarchy, the garden has, unsurprisingly, a curious past.By tracing the work and priorities of each of the garden's keepers, this book explores its importance as one of the world's oldest scientific plant collections. It tells the story of the planting of the garden by its first keeper, Jacob Bobart, and his son, together with how they changed the garden to suit their own needs. The story develops during the eighteenth century as the garden grew exotic plants under glass and acquired a fine succulent collection but then experienced a downturn under the stewardship of the eccentric Professor Humphrey Sibthorp (famous for giving just one lecture in thirty-seven years). Finally, the narrative throws light on the partnership of gardener William Baxter and academic Charles Daubeny in the early nineteenth century, which gave the garden its glasshouses and ponds and contributed to its survival to the present day. This generously illustrated book is the first history of the garden and arboretum for more than a century and provides an essential introduction to one of Oxford's much-loved haunts.