When Mrs. Bunton was a young bride, she took great pleasure in going to her husband's ranch, after their honeymoon to Northern and Eastern points was over, and in reveling in the adventures of ranch life. The prairie dogs objected vociferously to the swish of her silk petticoats, but not any more vehemently than did the more old-fashioned cattlemen and their wives to the first ladies' riding breeches which they had seen--and which Mrs. Bunton wore courageously and delightedly. when news came to the Bunton's Nolan County ranch, near Sweetwater, Texas, that the herds of cattle which Mr. Bunton was sending up to norther and western markets were ready for the trail, but that the general herd boss was stricken with sore eyes, Mr. Bunton could find no one to take the lead--except himself. Mrs. Bunton was determined to go too, and go she did, although the warnings and protests were great. Along the trip, made vivid by many adventures, she won the admiration and approval of cowboys, and upon their arrival at Coolidge, Kansas, the cattlemen proclaimed the young bride "Queen of the Old Chisholm Trail."--Jacket flap

Tells the stories of sixteen women who drove cattle up the trail from Texas during the last half of the nineteenth century.

A Series for Lovers of History, Adventure, Romance, and AncestryBarbour Publishing offers a series for fans of all things related to history, romance, adventure, faith, and family trees. Stubborn Hearts Clash on a Cattle DriveEliza Gentry’s pursuit of marriage to the son of her family’s sworn enemy has cost her greatly. Furious at his daughter’s choices, her father sends her off with the cattle drive heading toward Fort Worth and the Barnhart ranch, but under the watchful eye of Wyatt Creed, a Pinkerton man he has hired to see to her safety. With danger at every turn—not the least of which to his heart—can Wyatt Creed keep his focus with Eliza Gentry around? Is the Chisholm Trail a place for falling in love or a place to die at the hands of cattle thieves? Join the adventure as the Daughters of the Mayflower series continues with The Chisholm Trail Bride by Kathleen Y’Barbo. More in the Daughters of the Mayflower series: The Mayflower Bride by Kimberley Woodhouse – set 1620 Atlantic Ocean (February 2018) The Pirate Bride by Kathleen Y’Barbo – set 1725 New Orleans (April 2018) The Captured Bride by Michelle Griep – set 1760 during the French and Indian War (June 2018) The Patriot Bride by Kimberley Woodhouse – set 1774 Philadelphia (August 2018) The Cumberland Bride by Shannon McNear – set 1794 on the Wilderness Road (October 2018) The Liberty Bride by MaryLu Tyndall – set 1814 Baltimore (December 2018) The Alamo Bride by Kathleen Y’Barbo – set 1836 Texas (February 2019) The Golden Bride by Kimberley Woodhouse – set 1849 San Francisco (April 2019) The Express Bride by Kimberley Woodhouse – set 1860 Utah (July 2019) The Rebel Bride by Shannon McNear – set 1863 Tennessee (December 2019) The Blizzard Bride by Susanne Dietze – set 1888 Nebraska (February 2020)

Presents a history of the route which became the "Main Street" of the Texas cattle trade after the Civil War and remained until after its closing in 1884

Cowboys are an American legend, but despite ubiquity in history and popular culture, misperceptions abound. Technically, a cowboy worked with cattle, as a ranch hand, while his boss, the cattleman, owned the ranch. Jacqueline M. Moore casts aside romantic and one-dimensional images of cowboys by analyzing the class, gender, and labor histories of ranching in Texas during the second half of the nineteenth century. As working-class men, cowboys showed their masculinity through their skills at work as well as public displays in town. But what cowboys thought was manly behavior did not always match those ideas of the business-minded cattlemen, who largely absorbed middle-class masculine ideals of restraint. Real men, by these standards, had self-mastery over their impulses and didn’t fight, drink, gamble or consort with "unsavory" women. Moore explores how, in contrast to the mythic image, from the late 1870s on, as the Texas frontier became more settled and the open range disappeared, the real cowboys faced increasing demands from the people around them to rein in the very traits that Americans considered the most masculine. Published in Cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.

The events of July 19, 1878, marked the beginning of what became known as the Lincoln County War and catapulted Susan McSween and a young cowboy named Henry McCarty, alias Billy the Kid, into the history books. The so-called war, a fight for control of the mercantile economy of southeastern New Mexico, is one of the most documented conflicts in the history of the American West, but it is an event that up to now has been interpreted through the eyes of men. As a woman in a man’s story, Susan McSween has been all but ignored. This is the first book to place her in a larger context. Clearly, the Lincoln County War was not her finest hour, just her best known. For decades afterward, she ran a successful cattle ranch. She watched New Mexico modernize and become a state. And she lived to tell the tales of the anarchistic territorial period many times.

A critical survey of over 150 years of Texas women writers, including fiction and nonfiction authors, poets, and dramatists.