"Thousands of Russian Jews fleeing Tsarist persecution in the late 19th/early 20th centuries reached East Prussia through the Russian-Polish town Grajewo - a major illicit land crossing for waves of political, religious and economic emigrés. The 1870s rail link connecting Great Russia to Germany though Grajewo had created this East-West commercial junction. Hirsch Bieler, born 1900 in Grajewo, was among them. The Great War, begun at his doorstep, launched his journey to three Promised Lands. In 1919 teenage Hirsch left Poland forever for Leipzig in Weimar Germany. There he found a new home through 'adult adoption' by a childless Lutheran couple; community among other Zionist-leaning Eastern European Jews; a rich cultural life; and an entrepreneurial career in the rising petroleum trade. In 1931 he married Anna Burstein, a talented young Romanian concert pianist. That life was upended by Hitler's 1933 rise to power. In 1936 the couple fled with their small daughter - first, to Tel Aviv, then to America, overcoming onerous "Papers, please" barriers as world doors slammed shut for those seeking refuge. Meanwhile Soviet occupation, Nazi invasions and the Holocaust trapped Hirsch's friends and family still in Europe, scattering others across continents. He saved their correspondence chronicling those desperate years. In 1978 Hirsch and Anna revisited Leipzig. He began sharing his formative experiences as teen smuggler, fur trader, and oil supplier to I. G. Farben with us: his daughter Nora Jean and son-in-law Michael. We transcribed his recollections. He revised and expanded them, still managing the Philadelphia industrial lubricants firm he founded, until his death in 1985. His colorful recollections, plus extensive research, the inherited contents of his secret steel "strong box," and materials shared by his Suwalski/Antman family, resulted in this book." - publisher

A Conversation -- On the Edge, In the World -- Democracy as Civilizing Mission -- The Integration Myth -- The Many Meanings of the Border -- Polish Towns? Jewish Towns? -- Depoliticizing the Volhynian Village -- Regionalism, or The Limits of Inclusion -- Thinking Technocratically.

Winner of the Yad Vashem International Book Book Prize for Holocaust Research “A substantive contribution to the history of ethnic strife and extreme violence” (The Wall Street Journal) and a cautionary examination of how genocide can take root at the local level—turning neighbors, friends, and family against one another—as seen through the eastern European border town of Buczacz during World War II. For more than four hundred years, the Eastern European border town of Buczacz—today part of Ukraine—was home to a highly diverse citizenry. It was here that Poles, Ukrainians, and Jews all lived side by side in relative harmony. Then came World War II, and three years later the entire Jewish population had been murdered by German and Ukrainian police, while Ukrainian nationalists eradicated Polish residents. In truth, though, this genocide didn’t happen so quickly. In Anatomy of a Genocide, Omer Bartov explains that ethnic cleansing doesn’t occur as is so often portrayed in popular history, with the quick ascent of a vitriolic political leader and the unleashing of military might. It begins in seeming peace, slowly and often unnoticed, the culmination of pent-up slights and grudges and indignities. The perpetrators aren’t just sociopathic soldiers. They are neighbors and friends and family. They are also middle-aged men who come from elsewhere, often with their wives and children and parents, and settle into a life of bourgeois comfort peppered with bouts of mass murder. For more than two decades Bartov, whose mother was raised in Buczacz, traveled extensively throughout the region, scouring archives and amassing thousands of documents rarely seen until now. He has also made use of hundreds of first-person testimonies by victims, perpetrators, collaborators, and rescuers. Anatomy of a Genocide profoundly changes our understanding of the social dynamics of mass killing and the nature of the Holocaust as a whole. Bartov’s book isn’t just an attempt to understand what happened in the past. It’s a warning of how it could happen again, in our own towns and cities—much more easily than we might think.

An urban biography, Brody: A Galician Border City in the Long Nineteenth Century reconciles 150 years of the town’s socioeconomic history with its cultural memory. The first comprehensive study of this city under Habsburg-Austrian rule, Börries Kuzmany advises against reading urban history solely through the national lens. Besides exploring Brody’s extraordinary ethno-confessional structure—Jews, Poles, and Ukrainians—Kuzmany examines the interrelation between the city’s geographical location at the imperial border, its standing as a key commercial hub in East-Central Europe, and its position as a major springboard for the dissemination of the Haskalah in Galicia and the Russian Empire. After delving into the contradictory perceptions of Brody in travelogues, fiction and memory books, Kuzmany uses contemporary and historical photographs to provide an illustrated walking tour of this now Ukrainian town.

This book presents cross-national insights into spatial fragmentation in post-socialist cities in Europe. Trying to rethink the heritage of the last 30 years of transformation and grasp current processes taking urban units of various categories as examples, the book exemplifies typical or unique causes of political, social and ethnic disintegration of cities in Central and Eastern Europe. Presenting spatial studies into different cases of conflict in a cross-national context, the authors apply concepts of contested and divided cities, urban geopolitics, cultural atavism, contested heritage, etc. The book is divided into four parts. The first part raises the issue of genesis, development and contemporary discrepancies of cities divided by political and state borders. The second part includes chapters which deal with the impact of ongoing geopolitical divisions, wars, and ideologies on the social and political tensions as well as their polarising effect on urban territory. The third part comprises reflections on controversial relations of ethnic and national culture with urban space. The fourth part deals with socio-economic transformation of post-socialist cities which went through transition of old patterns of spatial planning and attempts to establish more rational and justice spatial order.

"The author's search for the annihilated Polish community captured in his grandfather's 1938 home movie. Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome color film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community--an entire culture--that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four-year journey to identify the people in his grandfather's haunting images. His search takes him across the United States; to Canada, England, Poland, and Israel; to archives, film preservation laboratories, and an abandoned Luftwaffe airfield. Ultimately, Kurtz locates seven living survivors from this lost town, including an eighty-six-year-old man who appears in the film as a thirteen-year-old boy. Painstakingly assembled from interviews, photographs, documents, and artifacts, Three Minutes in Poland tells the rich, funny, harrowing, and surprisingly intertwined stories of these seven survivors and their Polish hometown. Originally a travel souvenir, David Kurtz's home movie became the sole remaining record of a vibrant town on the brink of catastrophe. From this brief film, Glenn Kurtz creates a riveting exploration of memory, loss, and improbable survival--a monument to a lost world"--

This book considers competing memory politics in European border towns after the First and Second World Wars. In the twentieth century Europe’s borders shifted dramatically in the wake of war, and towns were often moved from one state to another despite their physical locations remaining unchanged. Urban spaces adapted to incorporate new place names, monuments, and requirements, overlaid onto the cultural heritage of previous settlers. This book investigates how the memories of different ethnic groups compete and sometimes contest with each other in the town’s space, using the case studies of Vyborg/Viipuri in present-day Russia, Klaipėda/Memel in Lithuania, Szczecin/Stettin in Poland, Flensburg in Germany, Trieste in Italy, and Rijeka/Fiume in Croatia. The book considers how public memories are built and how old traditions are moulded to new forms in urban settings. Drawing on perspectives from across borderland, urban, and memory studies, this book will be an important resource for researchers with an interest in Europe, and in how urban memories are constructed and contested.