"Jazz is my religion, and surrealism is my point of view." Ted Joans was one of the first Beat poets in the Greenwich Village arts scene, pioneering a movement that often overlooked his profound contributions. His poetry mixes the rhythms of jazz music with “hand grenades” of truth, and his live reading performance style anticipated the spoken word movement. Black Pow-Wow is a collection of the best of Joans’ early poetry, including such well-known poems as “Jazz Is My Religion,” “Passed On Blues: Homage to a Poet,” and “The Nice Colored Man.” Many of his poems speak to his friends and contemporaries--including Charlie Parker, Jack Kerouac, Allan Ginsberg, Bob Kaufman, Salvador Dali, Andre Breton, and particularly Langston Hughes--as well as his extensive travels across the African continent and around the world. His avante-garde poems also reflect his style as a painter and collage artist, call for social protest, and denounce racism, sexual repression, and injustice. This groundbreaking collection, one of only two mainstream publications Joans produced, perfectly captures the pulse of the Beat Generation and the rhythms of blues.

★ “Clearly organized and educational—an incredibly useful tool for both school and public libraries.” —School Library Journal, starred review Powwow is a celebration of Indigenous song and dance. Journey through the history of powwow culture in North America, from its origins to the thriving powwow culture of today. As a lifelong competitive powwow dancer, Karen Pheasant-Neganigwane is a guide to the protocols, regalia, songs, dances and even food you can find at powwows from coast to coast, as well as the important role they play in Indigenous culture and reconciliation.

The intertribal pow-wow is the most widespread venue for traditional Indian music and dance in North America. Heartbeat of the People is an insider's journey into the dances and music, the traditions and regalia, and the functions and significance of these vital cultural events. Tara Browner focuses on the Northern pow-wow of the northern Great Plains and Great Lakes to investigate the underlying tribal and regional frameworks that reinforce personal tribal affiliations. Interviews with dancers and her own participation in pow-wow events and community provide fascinating on-the-ground accounts and provide detail to a rare ethnomusicological analysis of Northern music and dance.

Travel the powwow trail with an Anishinaabe family, the Downwinds of Red Lake, as they gather with relatives and friends to lift up the traditions of their people through ceremonies and dances.

This anthology examines the origins, meanings, and enduring power of the powwow. Held on and off reservations, in rural and urban settings, powwows are an important vehicle for Native peoples to gather regularly. Although sometimes a paradoxical combination of both tribal and intertribal identities, they are a medium by which many groups maintain important practices. Powwow begins with an exploration of the history and significance of powwows, ranging from the Hochunk dances of the early twentieth century to present-day Southern Cheyenne gatherings to the contemporary powwow circuit of the northern plains. Contributors discuss the powwow?s performative and cultural dimensions, including emcees, song and dance, the expression of traditional values, and the Powwow Princess. The final section examines how powwow practices have been appropriated and transformed by Natives and non-Natives during the past few decades. Of special note is the use of powwows by Native communities in the eastern United States, by Germans, by gay and lesbian Natives, and by New Agers.

The Native American Contest Powwow introduces Cultural Tethering Theory to convey the importance of the contest powwow in the celebration and preservation of Native American culture. The book addresses the concepts of culture, cultural change, acculturation, assimilation, and illustrates how competitive powwows align with and differ from competitive sporting events. Authors Steven Aicinena and Sebahattin Ziyanak go on to explain how the modern intertribal contest powwow evolved and why modern Native American cultures are experiencing an erosion of traditional values, a rapid loss of traditional languages, dysfunctional changes in social organization, limited opportunity to transmit culturally valued knowledge, and reduced opportunities for youths to observe culturally appropriate behavior. The authors also examine Native American identity and explore who can legitimately claim to be a Native American under current laws and customs. Additional topics addressed include blood quantum, cultural knowledge, cultural participation, being Indian, and playing Indian. Finally, the authors describe the difference between being Native American and playing Indian in powwow and pseudo-cultural powwow environments.

A concise and engrossing account of the Lakota and the battle to regain their homeland. The Lakota Indians made their home in the majestic Black Hills mountain range during the last millennium, drawing on the hills' endless bounty for physical and spiritual sustenance. Yet the arrival of white settlers brought the Lakotas into inexorable conflict with the changing world, at a time when their tribe would produce some of the most famous Native Americans in history, including Red Cloud, Sitting Bull, and Crazy Horse. Jeffrey Ostler's powerful history of the Lakotas' struggle captures the heart of a people whose deep relationship with their homeland would compel them to fight for it against overwhelming odds, on battlefields as varied as the Little Bighorn and the chambers of U.S. Supreme Court.