A Toronto Star Bestseller! Rose, a Canadian intelligence officer in Britain in World War II, struggles with conflicting feelings about the war and a superior’s attention. Rose Jolliffe is an idealistic young woman living on a farm with her family in Saskatchewan. After Canada declares war against Germany in World War II, she joins the British Women’s Auxiliary Air Force as an aerial photographic interpreter. Working with intelligence officers at RAF Medmenham in England, Rose spies on the enemy from the sky, watching the war unfold through her magnifying glass. When her commanding officer, Gideon Fowler, sets his sights on Rose, both professionally and personally, her prospects look bright. But can he be trusted? As she becomes increasingly disillusioned by the destruction of war and Gideon’s affections, tragedy strikes, and Rose’s world falls apart. Rose struggles to rebuild her shattered life, and finds that victory ultimately lies within herself. Her path to maturity is a painful one, paralleled by the slow, agonizing progress of the war and Canada’s emergence from Britain’s shadow.

A Bird's-Eye View of Life was written expressly for teenagers and preteens by twelve teens and a young adult who are living with this challenging condition. These young people offer the best kind of advice--advice based upon first-hand experience. This book offers factual information and practical strategies in words and examples that young people can easily understand and put into practice. It also leaves teens and their families with a sense of hope that they too can survive this sometimes overwhelming disorder.

As new towns and cities spread across the American frontier in the nineteenth century, itinerant artists soon followed, documenting these growing urban centers by drawing aerial perspectives, also known as bird's eye views. Commissioned by land speculators, local businesses, civic organizations, and individual citizens, these renderings fostered both civic pride and local commerce. The use of color lithography, a recent invention popularized by such prominent publishers as Currier & Ives, allowed the inexpensive reproduction of the highest-quality drawings, so that a bird's eye view was within the financial budget of even the smallest towns. These extraordinarily detailed lithographs eventually numbered in the thousands and now serve as a rich pictorial record of North America as it stood a century ago. This sequel to our highly acclaimed title An Atlas of Rare City Maps collects over 100 views dating between 1835 and 1902, showing the streets, buildings, churches, bridges, waterways, and surrounding countryside of North American towns, ranging from burgeoning metropolitan centers to small logging towns and mining camps. Baltimore, Brooklyn, Denver, Indianapolis, Memphis, Montreal, New Orleans, Pittsburgh, Seattle, Syracuse, and Washington are just a few of the cities presented in this collection. The exquisite color and fine detail of these bird's eye views have been reproduced in all their original glory; also included is an introduction by John W. Reps providing a background on the artistic process and on urban development in the nineteenth century.

With a foreword by Marcia B. Siegel In 1930 , seventeen-year-old Dorothy Bird from Victoria, British Columbia, was sent to study dance at the Cornish School in Seattle. There she was totally captivated by Martha Graham, who, at the end of summer, invited Dorothy to study with her at the Neighborhood Playhouse in New York City. Dorothy debuted with the Graham Group in 1931 in Primitive Mysteries, and was a company member and Graham’s demonstrator until 1937. Bird’s Eye View is a warm and human story that chronicles the early development of modern dance from a dancer’s perspective. Dorothy Bird was the only dancer of her time to work with all the major choreographers in concert and on Broadway: George Balanchine, Agnes de Mille, Doris Humphrey, Helen Tamiris, Anna Sokolow, Herbert Ross, Jose Limon, and Jerome Robbins, among others. She recounts fascinating theater experiences with such luminaries as Orson Welles, Gertrude Lawrence, Carol Channing, Danny Kaye, and Elia Kazan. Dorothy shares her methods and experiences as a teacher for Balanchine and her twenty-five-year tenure at the Neighborhood Playhouse to highlight her philosophy of “giving back” to the next generation of performers. Of all the artists Dorothy Bird worked with, Martha Graham figures most strongly in the book and in her life. Her narrative about Graham’s early creative process is a valuable addition to the literature, as is the story of her personal involvement with Graham. The reader gains an intimate insight into the love and fear instilled by Graham in her followers.

Designed to be used by children in their first six months of school PM Starters One and Two

As Christians, we all know the apostle Paul, don't we? He is our theological master, our pastoral mentor, our spiritual advisor and our missionary hero. Yet just when we think we have him in our grasp, we find he slips through our fingers. At the point where we suppose we have finally understood him, Paul again confounds us and stirs our hearts and minds further. So how well do we really know him? If the Paul we claim to know looks and sounds a lot like us, then that is probably a good indication that we don't know him as well as we think we do. However, all is not lost. If we let Paul be Paul, letting him speak for himself in his language, on his terms and for his purposes, then we stand a chance of meeting him anew. Mike Bird offers a lively, accessible new survey of the apostle Paul's life and teaching. His aim is to get us excited about reading Paul's letters, preaching his gospel, and living the Christian life.

Twelve teens and a young adult who are living with attention deficit disorder and attention deficit hyperactivity disorder describe what it is like to have the conditions, and offer practical coping strategies.