This autobiography of the great female journalist and muckraker Ida M. Tarbell includes the following chapters: 1. My Start in Life 2. I Decide to Be a Biologist 3. A Coeducational College of the Eighties 4. A Start and a Retreat 5. A Fresh Start—A Second Retreat 6. I Fall in Love 7. A First Book—On Nothing Certain a Year 8. The Napoleon Movement of the Nineties 9. Good-Bye to France 10. Rediscovering My Country 11. A Captain of Industry Seeks My Acquaintance 12. Muckraker or Historian? 13. Off With the Old—On With the New 14. The Golden Rule in Industry 15. A New Profession 16. Women and War 17. After the Armistice 18. Gambling With Security 19. Looking Over the Country 20. Nothing New Under the Sun

Contains an edition of unpublished notes that Johnson made as he prepared to write the text of his biographical preface to Pope, and examines how Johnson wrote what is arguably the most important preface in the larger collection.

John Berger was one of the most influential thinkers and writers of postwar Europe. As a novelist, he won the Booker Prize in 1972, donating half his prize money to the Black Panthers; as a TV presenter he changed the way we looked at art in Ways of Seeing; as a storyteller and political activist he defended the rights and dignity of workers, migrants and the oppressed around the world. In 1953 he wrote: "Far from dragging politics into art, art has dragged me into politics." He remained a revolutionary up to his death in January, 2017. In A Writer of Our Time, Joshua Sperling places Berger's life and works within the historical narrative of postwar Britain and beyond. The book also explores, through the work, the larger questions that vexed a generation: the purpose of art, the nature of creative freedom, the meaning of commitment. Drawing on extensive interviews, close readings and a wealth of archival sources only recently made available, the book brings the many different faces of John Berger together and shows him as one of the most vital, and brilliant, thinkers and storytellers of our time.

The first picture book about the inspiring life of humanitarian Jimmy Carter, the thirty-ninth president of the United States and a Nobel Prize winner--from Alabama Spitfire author Bethany Hegedus. Even before Jimmy Carter became president, he knew the value of hard work. Living on his family's peanut farm, Jimmy saw how hard work yielded strong results. At least it did for some people. But growing up in the segregated South, Jimmy also saw firsthand how white people and black people were not treated equally. None of it was right. None of it was fair. So Jimmy created a list of Good Mental Habits to help him navigate life's challenges. The list guided his thoughts and actions and helped him fight for change, whether working with civil rights leaders to end racial discrimination in his home state of Georgia, helping to negotiate peace in the Middle East, or building homes for the poor through Habitat for Humanity. From the statehouse to the White House and beyond, Jimmy has worked to make change for all people, devoting decades to public service and becoming one of the most respected humanitarians of our time. It's hard work, but it's worth it.

“One of the great reporters of our time and probably the greatest biographer.” —The Sunday Times (London) From the two-time Pulitzer Prize-winning author of The Power Broker and The Years of Lyndon Johnson: an unprecedented gathering of vivid, candid, deeply moving recollections about his experiences researching and writing his acclaimed books. Now in paperback, Robert Caro gives us a glimpse into his own life and work in these evocatively written, personal pieces. He describes what it was like to interview the mighty Robert Moses and to begin discovering the extent of the political power Moses wielded; the combination of discouragement and exhilaration he felt confronting the vast holdings of the Lyndon B. Johnson Library in Austin, Texas; his encounters with witnesses, including longtime residents wrenchingly displaced by the construction of Moses' Cross-Bronx Expressway and Lady Bird Johnson acknowledging the beauty and influence of one of LBJ's mistresses. He gratefully remembers how, after years of working in solitude, he found a writers' community at the New York Public Library, and details the ways he goes about planning and composing his books. Caro recalls the moments at which he came to understand that he wanted to write not just about the men who wielded power but about the people and the politics that were shaped by that power. And he talks about the importance to him of the writing itself, of how he tries to infuse it with a sense of place and mood to bring characters and situations to life on the page. Taken together, these reminiscences—some previously published, some written expressly for this book—bring into focus the passion, the wry self-deprecation, and the integrity with which this brilliant historian has always approached his work. To understand more about Robert Caro's research, see the Sony Pictures Classic documentary “Turn Every Page.”

This fascinating, scholarly study by one of the world's foremost authorities on Galileo offers a vivid portrait of one of history's greatest minds. Detailed accounts, including many excerpts from Galileo's own writings, offer insights into his work on motion, mechanics, hydraulics, strength of materials, and projectiles. 36 black-and-white illustrations.

This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials—including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982—to create an expansive chronicle of Gershwin’s meteoric rise to fame. He also traces Gershwin’s powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses. Pollack’s lively narrative describes Gershwin’s family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin’s entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.