It is really hard to find quality Christmas material for jazz ensemble that doesn't require a long time to prepare. Well, here it is! Carl Strommen has arranged a solid medley of all-time favorite Christmas carols in a variety of jazz styles and tempos. You will hear THE TWELVE DAYS OF CHRISTMAS, JINGLE BELLS, O COME, ALL YE FAITHFUL, and WE THREE KINGS. This is the only Christmas arrangement you will need this year! (5: 47)

(Guitar Collection). You only need to know how to play 3 chords (G, C and D) on guitar to master the 25 holiday favorites presented in this collection! Songs include: Away in a Manger * The Chipmunk Song * Frosty the Snow Man * Go, Tell It on the Mountain * Here Comes Santa Claus (Right down Santa Claus Lane) * Jingle Bells * The Little Drummer Boy * O Christmas Tree * Silent Night * Silver Bells * While Shepherds Watched Their Flocks * and more.

Celebrate Christmas with the inspiration for the beloved Jim Henson film — in print after over 40 years. In 1977, when Jim Henson debuted the now-classic film Emmet Otter's Jug-Band Christmas, few knew it was based on a story written and illustrated by Russell and Lillian Hoban, creators of Bread and Jam for Frances and other treasured children's books. With an enduring score by the great Paul Williams, the movie remains a holiday tradition in homes across America. Now the book that started it all is back in print, in a beautiful gift edition that will thrill Muppets fans young and old. Inspired by the classic tale "The Gift of the Magi," the story begins in a poor country cottage, as Emmet Otter dreams of buying Ma a piano for Christmas, while Ma dreams of buying Emmet a guitar. When a village talent contest is announced, both imagine their dreams coming true. But what they don't imagine finding is their real reward — the power of love, family, and hope in hard times. It is a story that reaches into a reader's heart and reminds us all that fortune favors the brave. A Bank Street College of Education Best Children's Book of the Year "[A] welcome reissue of the Hobans' 1971 story . . . Colorful illustrations of the close-knit animal community contain plenty of warmth." —The Horn Book

The definitive study of arranging by America's premiere composer, arranger and conductor. A "must" for every musician interested in a greater understanding of arranging. Includes chapters on instrumentation, orchestration and Nelson Riddle's work with Sinatra, Cole and Garland.

Where did big bands and swing music go? They didn't leave. . . but many Americans actually believe they disappeared along with ballrooms, jukeboxes, bobby sox and zoot suits decades ago. Band leader Brooks Tegler, who has recreated the great music of World War II with his Army Air Corps Review Big Band, offers a good response. "In order for something to come back, it needs to have gone away. Big bands have wrongly been put in that category. They never went away." And that's the essence of the chapters of my book about America's big bands, ballrooms and dancing's past and present. And there's a good look at the future through the eyes of a number of young bandleaders from the east to west coast who carry on in the tradition of Guy Lombardo, Glenn Miller, Harry James, Woody Herman, Duke Ellington and a host of other music legends in their own distinctive way. The struggle to survive in the music business hasn't been without losses and a need for life support. It did when Miller, Benny Goodman, James and Ellington were in their heyday. It's a financially precarious business regardless of your talent. Inevitably, music and dancing evolved and matured. The reasons are numerous and linked to our heritage. But like marching bands on the 4th of July, imagine a country club new year's eve without live dance music and a big band. Think about the many community social events and high school and college proms let alone wedding receptions that still insist on having live bands to play the foxtrots and swing numbers people enjoy. My research shows that while there were approximately 800 big bands on the road during the swing era of the 1940s, today there are nearly 1,300 big bands, according to a Google search and a review of hundreds of territory bands. Consequently, neither the bands nor the music vanished. . . they scattered throughout the American countryside.

This complex memoir shows what it was like growing up in the shadow of a literary father and a neglectful mother, getting thrown out of boarding school after being seduced by a teacher, and all of the later-life consequences that ensue. In 1982, Erika Schickel was expelled from her East Coast prep school for sleeping with a teacher. She was that girl—rebellious, precocious, and macking for love. Seduced, caught, and then whisked away in the night to avoid scandal, Schickel’s provocative, searing, and darkly funny memoir, The Big Hurt, explores the question, How did that girl turn out? Schickel came of age in the 1970s, the progeny of two writers: Richard Schickel, the prominent film critic for TIME magazine, and Julia Whedon, a melancholy mid-list novelist. In the wake of her parents’ ugly divorce, Erika was packed off to a bohemian boarding school in the Berkshires. The Big Hurt tells two coming-of-age stories: one of a lost girl in a predatory world, and the other of that girl grown up, who in reckoning with her past ends up recreating it with a notorious LA crime novelist, blowing up her marriage and casting herself into the second exile of her life. The Big Hurt looks at a legacy of shame handed down through a maternal bloodline and the cost of epigenetic trauma. It shines a light on the haute culture of 1970s Manhattan that made girls grow up too fast. It looks at the long shadow cast by great, monstrously self-absorbed literary lives and the ways in which women pin themselves like beautiful butterflies to the spreading board of male ego.

Linnea Olsen never thought she’d be back in Marietta for good. But when her parents ask for help with the family orchard and cider making business, she packs up her bags and heads to her hometown with her daughters in tow. Determined to settle in to the community, she plans a Christmas charity concert. She soon realizes she’s in over her head, so when she hears that her singer-songwriter ex is back in town, she enlists his help. Uninspired by life on the road, singer-songwriter Nat Hathaway has quietly returned to Marietta to pen his new album. But his high school girlfriend, Linnea, has other ideas–she’s already volunteered him to co-organize a charity Christmas concert with her. As they spend more time together, Nat is drawn to the warmth and comfort that he sees in Linnea and her girls. Linnea knows that this is only a holiday-romance because Nat will be back on the road soon and she needs stability for her girls. Still, as the holiday season begins to wind down, she hopes that a Christmas miracle will inspire Nat to put roots down in Marietta for good.