Edgar Allan Poe, arguing that brevity and intensity were the essence of poetry, declared there was no such thing as a long poem. It can also be said there is no difference between a short and a long poem except duration: a measure of time. Time in Time examines what the difference really is, and investigates the interplay of short and long forms in contemporary poetry. Moving beyond the opposition of lyric and experimental schools, Time in Time constructs a history of recent North American efforts to bring about a more open poetic form. Contributors explore ways in which the work of Louis Zukofsky, William Carlos Williams, Jackson Mac Low, George Oppen, Hannah Weiner, A.R. Ammons, Marjorie Perloff, Erín Moure, Ron Silliman, and Kenneth Goldsmith reconceives, reframes, and sometimes interknits the possibilities of short and long poems. In doing so, the collection offers insight into the affiliative networks and inter-generational lines of avant-gardism on the continent. Attuned to the surprising reversals and unstable categories of the period, Time in Time illuminates the ongoing encounter of literary creativity with the limits and possibilities of form. Contributors include Adam Dickinson (Brock University), Kerry Doyle (York University), Rachel Blau DuPlessis (Temple University), Steve McCaffery (SUNY Buffalo), Erín Moure (Montreal), Michael O'Driscoll (University of Alberta) Jennifer Russo (City University of New York Graduate Center), and J. Mark Smith (Grant MacEwan University).

This bibliography describes in detail a valuable collection comprising archival materials related to the Black Sparrow Press from its founding in April 1966 to November 1970. The press was one of the most important private presses on the west coast of the United States, and it endured for 36 years. Its importance came from publishing some of the most avant-garde writers of the period. Their editions, published in limited runs, represent some of the most remarkable examples of fine press work in the late twentieth century. Publisher John Martin sold his collection of D. H. Lawrence first editions in order to finance Black Sparrow and to regularly publish Charles Bukowski's poetry, among works of other innovative writers, including John Ashbery, Diane Wakoski, Charles Reznikoff, and Kenneth Koch. Totalling over a thousand items, the Black Sparrow Press Archive includes manuscript drafts, typescripts, corrected proofs and galleys, letters, posters, original artwork, photographs, master reel-to-reel recordings, and various peripheral materials related to publications of the press.

Showcasing archival materials from the early years of John Martin's Black Sparrow Press, this catalogue brings to light the collaborative relationship between writers, editors, designers, and presses. Prominently featured are the works of poets Charles Bukowski, Robert Creeley, John Ashbery, and others. The exhibit, which took place at the University of Alberta's Bruce Peel Special Collections Library (home of the Black Sparrow Press Archive), was curated by twelve University of Alberta graduate students under the guidance of Dr. Michael J. O'Driscoll of the Department of English and Film Studies.

Reprint of the original, first published in 1882.