Fully revised, this book whose last edition sold over 30,000 copies is "a lively, straightforward, and refreshingly 'user friendly' guide--informed and informative, but never condescending".--Tim Page, New York Music Critic and Public Radio Classical Music Commentator. Includes 14 illustrations.

The Library Of Classical Music is a wonderfully vast collection of the greatest pieces of music from the Classical period. Featuring a diverse range of compositions from the innovators and masters, the sheer amount of incredible music featured makes this an essential folio that works as well as an introduction to the period as it does as a comprehensive anthology. Each piece is carefully arranged for intermediate-advanced solo piano, and includes works by the following composers: Abel, Beethoven, Benda, Boccherini, C.P.E. Bach, Clementi, Czemy, Dussek, Gluck, Gossec, Hayd, Hummel, J.C. Bach, Kuhlau, Mozart, Weber

The main purpose of the book is to explore basic music theory so thoroughly that the interested student will then be able to easily pick up whatever further theory is wanted. Music history and the physics of sound are included to the extent that they shed light on music theory. The main premise of this course is that a better understanding of where the basics come from will lead to better and faster comprehension of more complex ideas.It also helps to remember, however, that music theory is a bit like grammar. Catherine Schmidt-Hones is a music teacher from Champaign, Illinois and she has been a pioneer in open education since 2004. She is currently a doctoral candidate at the University of Illinois in the Open Online Education program with a focus in Curriculum and Instruction.

In this edition Bill Parker expands and updates his previous selections and offers the consensus choices for the very. best classical recordings on compact disc. His knowledgeable comments on both new and old releases provide a valuable shortcut to those trying to sort out the relative merits of the past century of recording art. For the first time, this edition includes international record numbers for those collectors who prefer imported editions. With each musical period prefaced by a brief history, this edition truly becomes an indispensable reference guide for any new and curious collector.

Basic Music Reference is a quick-start guide designed to introduce library employees to the basic tools and techniques involved in answering questions related to music. As in every specialist subject area, music has its own terminology, but unlike most, it also has a multitude of formats—on paper and other materials—as well as special notation and frequent use of foreign languages in titles and texts. These features make it particularly difficult for library employees to answer users’ questions and thus a guide such as this one is essential. Not all libraries with a music collection can afford to hire a music reference librarian. Even libraries with such a specialist rely on support staff and student employees to answer questions when the music librarian is not available. Whatever the scenario, this volume will serve as a helpful training tool for library employees to learn about the basic music reference tools, and to develop the techniques of greatest use when answering the most common types of music-related questions

This volume covers the history of classic music with individual chapters on its medieval and renaissance roots, the baroque era, classical period, romantic era, modern era, and classical music in the new millennium. Informative sidebars, numerous quotations from authoritative sources, annotated bibliographies, and a complete index make this volume a valuable research tool for students.