Bad Reputation is the unexpurgated story of Joan Jett, the single most exciting rocker of the American 1980s, one of the biggest-selling acts of the age, and one of punk rock's most valued elder statespeeps. Through its pages, a welter of exclusive interviews and observations paint what might well be the last great tale of rock hedonism, but one that comes with a twist in its tail. The rockers are women, the groupies are guys. It could have been the plot line for a movie or even a sitcom, but the Runaways, Jett's first band, made it happen, and Jett made it last. The first serious female rocker of the 1980s, Jett became the template for everyone that followed. But unlike so many of her peers and counterparts, she never lost her credibility, never sold out, and never gave up. And she has backed her reputation up with genuine star power, following the chart-topping “I Love Rock 'n' Roll” – one of the most played '80s anthems of all time – with “Crimson and Clover ” “Do You Wanna Touch Me ” and “I Hate Myself for Loving You” before the decade ended. And, while the 1990s saw Jett purposefully step away from the spotlight, she remained, and remains, America's number one Queen of Noise.

I HAVE A BAD REPUTATION. Call me what you want: Bad Boy Next Door. Trouble. That Kid Who Can’t Do Anything Right. When Willow moves into my neighborhood, nothing should have happened. She’s geeky. Shy. A true wallflower. Willow is a good girl. Too good for me. And how the hell was I supposed to know that she’s related to Loren Hale--yeah, that douchebag celebrity that lives on my street. The same guy I've been pranking by spray painting vulgar words on his mailbox and worse. Much worse. Don't ask me why I do the things I do. Don't ask me why it had to be her. I'm cursed. Simple as that. But here's the thing about people who are cursed--they break everything they touch. And yet. . .I still want to touch her. ​

​​I WILL RUIN HER. You know that old saying “opposites attract” — well, no one ever tells you what happens after the attraction part. Do opposites stick together forever? Or do they just self-combust? And then there’s the third option: someone or something forces them apart. Look, the third option isn’t happening to us. I will end the bastard who thinks he can keep me from her. I only need to worry about one thing. . . Epic, soul-crushing self-destruction. Because I screw up everything I touch. Even her.

Managing Online Reputation is a comprehensive look at online reputation management. Drawing on recent examples of organizations managing their online reputations effectively and ineffectively, it provides a practical and visual tool-kit of processes and techniques to help limit and respond effectively to negative situations on social media.

John Caul has decided that it is finally time to wreak some havoc on the townspeople who've ostracized him for the past 20 years. And with any well-planned, or in John's case, not so well-planned scheme, nothing goes as designed.

Long before clinch covers and bodice rippers, romance novels had a bad reputation as the lowbrow lit of desperate housewives and hopeless spinsters. But why were these books-the escape and entertainment of choice for millions of women-singled out for scorn and shame? Dangerous Books for Girls examines the secret history of the genre's bad reputation-from the "damned mob of scribbling women" in the nineteenth century to the sexy mass-market paperbacks of the twentieth century-and shows how romance novels have inspired and empowered generations of women to dream big, refuse to settle, and believe they're worth it. For every woman who has ever hidden the cover of a romance-and every woman who has been curious about those "Fabio books"-Dangerous Books For Girls shows why there's no room for guilt when reading for pleasure.