Movies detailed in this book include both films that are well-known and those that are somewhat obscure, although nearly all are now available on DVD. Titles include The Bat Whispers, The Bishop Misbehaves, Black Midnight, Caesar and Cleopatra, Chisum, City Beneath the Sea, Comedy of Terrors, Corsair, The Count of Monte Cristo, Cromwell, The Egyptian, The Glass Web, How To Marry a Millionaire, The Jack-Knife Man, Key to the City, Kiss Me Deadly, Ladies Love Danger, Midnight, Our Hospitality, The Road to Reno, So This Is New York, Stella Dallas, Stormy Weather, The Thirteenth Guest, Tickle Me, Titanic, Tower of London, Transatlantic Merry-Go-Round, The Valley of Decision, Viva Zapata!, You Can't Cheat an Honest Man.

By concentrating on Sam Shepard's visual aesthetics, Emma Creedon argues that a consideration of Shepard's plays in the context of visual and theoretical Surrealism illuminates our understanding of his experimental approach to drama.

A unique perspective on half a century of American cinema—from the audience's point of view. Tom Stempel goes beyond the comments of professional reviewers, concentrating on the opinions of ordinary people. He traces shifting trends in genre and taste, examining and questioning the power films have in American society. Stempel blends audience response with his own observations and analyzes box office results that identify the movies people actually went to see, not just those praised by the critics. Avoiding statistical summary, he presents the results of a survey on movies and moviegoing in the respondents' own words—words that surprise, amuse, and irritate. The moviegoers respond: "Big bad plane, big bad motorcycle, and big bad Kelly McGillis."—On Top Gun "All I can recall were the slave girls and the Golden Calf sequence and how it got me excited. My parents must have been very pleased with my enthusiasm for the Bible."—On why a seven-year-old boy stayed up to watch The Ten Commandments "I learned the fine art of seduction by watching Faye Dunaway smolder."—A woman's reaction to seeing Bonnie and Clyde "At age fifteen Jesus said he would be back, he just didn't say what he would look like."—On E.T. "Quasimodo is every seventh grader."—On why The Hunchback of Notre Dame should play well with middle-schoolers "A moronic, very 'Hollywoody' script, and a bunch of dancing teddy bears."—On Return of the Jedi "I couldn't help but think how Mad magazine would lampoon this." —On The Exorcist

The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.

From her memorable role in Gone With the Wind to her last big screen appearance opposite Harrison Ford in The Mosquito Coast, the details of McQueen's life are captured in this book.