Each of the poems in Seventy Faces arose in conversation with the Five Books of Moses. These poems interrogate, explore, and lovingly respond to Torah texts-the uplifting parts alongside the passages which may challenge contemporary liberal theology. Here are responses to the familiar tales of Genesis, the liberation story of Exodus, the priestly details of Leviticus, the desert wisdom of Numbers, and the anticipation of Deuteronomy. These poems balance feminism with respect for classical traditions of interpretation. They enrich any (re)reading of the Bible, and will inspire readers to their own new responses to these familiar texts.

"When I wake your name is honey on my lips." So begins this latest collection by poet and rabbi Rachel Barenblat. These love songs to an unnamed other capture a God-intoxicated spirituality in plain-spoken language redolent of the Bible yet anchored in modern life. Texts to the Holy follows in the tradition of the Song of Songs, the great Biblical poem that describes love between two human beloveds and is also read as an allegory for the love between us and God. It's in the tradition of the medieval poet Judah ha-Levi, whose writings of yearning for God use human love as a metaphor. And it's in the tradition of Adrienne Rich and Pablo Neruda, whose poems of human love and passion are suffused with awareness of the sanctity of the tangible and the everyday. These poems can be read purely as love poems from one human beloved to another, and they can be read as poems of love between a soul and her Source. Texts to the Holy expresses deep emotion in contemporary language, without sentimentality. It reminds us of the truths that the yearning heart finds reminders of the beloved everywhere and that even a text message can be a locus for holiness.

The Bloomsbury Anthology of Contemporary Jewish American Poetry collects more than 200 poems by over 100 poets to celebrate contemporary writers, born after World War II, who write about Jewish themes. In bringing together poets whose writings explore cultural Jewish topics with those who directly address Jewish religious themes as well as those who only indirectly touch on their Jewishness, this anthology offers a fascinating insight into what it is to be a Jewish poet. Featuring established poets as well as representatives of the next generation of Jewish voices, included are poems by, among others, Ellen Bass, Jane Hirshfield, Ed Hirsch, David Lehman, Charles Bernstein, Carol V. Davis, Judith Skillman, Jacqueline Osherow, Alan Shapiro, Ira Sadoff, Melissa Stein, Matthew Zapruder, Philip Schultz, and Jane Shore.

"Judaism, Christianity, and Islam all acknowledge the Hebrew Bible to be Sacred Scripture. And yet these different, and often contradictory, religions each has its own way of reading the Bible, and interpreting it according to its own later sacred literature." "The Seventy Faces of Torah explains in clear and accessible language the Jewish art of reading and interpreting the Bible and introduces the reader to the major texts and genres of rabbinic literature."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

In Jewish Aramaic Poetry from Late Antiquity, Laura Suzanne Lieber offers annotated translations of sixty-nine poems written between the 4th and 7th century C.E. in the Land of Israel, along with commentaries and introductions. The poems celebrate a range of occasions from the ritual year and the life-cycle: Passover, Shavuot (Pentacost), the Ninth of Av, Purim, the New Moon of Nisan, the conclusion of the Torah, weddings, and funerals. Written in the vernacular of the Jews of living in Palestine after the Christianization of the Roman Empire, these works offer insight into lived Jewish experience during a pivotal age. The volume contextualizes the individual works so that readers from a range of backgrounds can appreciate the formal, linguistic, exegetical, theological, and performative creativity of these works. "Lieber has produced reliable renderings, as well as learned and helpful annotations, and has consistently expressed herself in clear and elegant fashion....Her volume is an important, scientific study in its own right, as well as a useful reference tool (if read alongside the Sokoloff-Yahalom edition), and certainly deserves a wide readership." - Stefan C. Reif, St John's College, Cambridge, UK, in: Journal of Jewish Studies 70.2 (2019) "Scholars of Judaism in late antiquity and the early Middle Ages will certainly appreciate Lieber’s effort in offering all of this textual material to them in conveniently accessible form. Almost every student of Judaism in those eras, regardless of academic specialty, is likely to find something of interest and value in the poems that she has translated." - Mose J. Bernstein, Yeshiva University, Speculum 95/3 (2020)

This volume of contemporary liturgical poetry is both a poetry collection and an aid to devotional prayer. Open My Lips dips into the deep well of Jewish tradition and brings forth renewed and renewing adaptations of, and riffs on, classical Jewish liturgy. Here are poems for weekday and Shabbat, festival seasons (including the Days of Awe and Passover), and psalms of grief and praise. Open My Lips offers a clear, readable, heartfelt point of access into the Jewish tradition and into prayer in general. Those who wish to begin a prayer practice in English but don't know where to start will find this volume offers several starting points. These poems could be used to augment an existing prayer practice, Jewish or otherwise - either on a solitary basis or for congregational use. For the reader of poetry unfamiliar with liturgical text, they can serve as an introduction to prayer in general, and Jewish prayer in particular. And for the pray-er unfamiliar with contemporary poetry, these poems can open the door in the other direction.

The Omer is the period of 49 days between Pesach (Passover) and Shavuot. Through counting the Omer, we link liberation with revelation. Once we counted the days between the Pesach barley offering and the Shavuot wheat offering at the Temple in Jerusalem. Now as we count the days we prepare an internal harvest of reflection, discernment, and readiness. Kabbalistic (mystical) and Mussar (personal refinement) traditions offer lenses through which we can examine ourselves as we prepare ourselves to receive Torah anew at Shavuot. Here are 49 poems, one for each day of the Omer, accompanied by helpful Omer-counting materials. Use these poems to deepen your own practice as we move together through this seven-week corridor of holy time. Rachel Barenblat has gifted her readers with a set of insightful poems to accompany our journey through the wilderness during the Counting of the Omer. Deft of image and reference, engaging and provocative, meditative and surprising, this collection is like a small purse of jewels. Each sparkling gem can support and enlighten readers on their paths toward psycho-spiritual Truth. -- Rabbi Min Kantrowitz, author of Counting the Omer: A Kabbalistic Meditation Guide Rachel Barenblat comes bearing a rich harvest. In Toward Sinai, her series of poems to be read daily during the counting of the Omer, a poem chronicles every step between Exodus and Sinai. The poems exist in the voices of the ancient Hebrews measuring grain each day between Passover and Shavuot, and also in a contemporary voice that explores the meaning of the Omer in our own day. Together, the poems constitute a layered journey that integrates mysticism, nature, and personal growth. As Barenblat writes: "Gratitude, quantified." -- Rabbi Jill Hammer, author of The Omer Calendar of Biblical Women