Welcome to the book series 7 best short stories specials, selection dedicated to a special subject, featuring works by noteworthy authors. The texts were chosen based on their relevance, renown and interest. This edition is dedicated to Vampire. The vampire is now a fixture in popular fiction. Such fiction began with 18th-century poetry and continued with 19th-century short stories. Over time, some attributes now regarded as integral became incorporated into the vampire's profile: fangs and vulnerability to sunlight appeared over the course of the 19th century. Implied though not often explicitly documented in folklore, immortality is one attribute which features heavily in vampire film and literature. Much is made of the price of eternal life, namely the incessant need for blood of former equals. The critic August Nemo selected seven short stories that were essential to the formation of the vampire's folklore: - The Vampyre by John William Polidori. - Carmilla by Joseph Sheridan Le Fanu. - Mrs. Amworth by E. F. Benson. - Dracula's Guest by Bram Stoker. - Ligeia by Edgar Allan Poe. - Clarimonde by Théophile Gautier. - The Lair of the White Worm by Bram Stoker.

Thirty-five uncanny and erotic tales of vampires written by supernatural fiction’s greatest mistresses of the macabre. "Fashions change, and the urbane vampire created by Byron and cemented in place by Stoker has had to move on . . . Are you, like me, ready for the new dusk?" —Ingrid Pitt, from her Introduction Prepare to arm yourself with garlic, silver bullets, and a stake. Featuring the only vampire short story written by Anne Rice, the undisputed queen of vampire literature, and boasting an autobiographical introduction and original tale by Ingrid Pitt, the star of Hammer Films' The Vampire Lovers and Countess Dracula, this is one anthology that every vampire fan—vampiric feminist or not—will want to drink deep from. From the classic stories of Edith Wharton, Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to modern incarnations by such acclaimed writers as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, Caitlín R. Kiernan, and Angela Slatter, these blood-drinkers and soul-stealers range from the sexual to the sanguinary, from the tormented Good to the unspeakably Evil. Among those memorable Children of the Night you will encounter are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins' undead heroine Sonja Blue, Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington’s age-old lovers Karl and Charlotte. Nominated for the World Fantasy Award and the International Horror Guild Award, and now revised and updated, The Mammoth Book of Vampire Stories by Women fulfils the bloodlust of the somnambulist horror fan, delivering the ultimate bite.

WINNER OF THE AMERICAN LIBRARY ASSOCIATION’S BEST HORROR NOVEL OF THE YEAR “As much F. Scott Fitzgerald as Dean Koontz” (#1 New York Times bestselling author Patricia Briggs), Christopher Buehlman excels in twisting the familiar into newfound dread in his “genre-bending” (California Literary Review) novels. Now the acclaimed author of Those Across the River delivers his most disquieting tale yet... The secret is, vampires are real and I am one. The secret is, I’m stealing from you what is most truly yours and I’m not sorry... New York City in 1978 is a dirty, dangerous place to live. And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks. The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy. Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were. And neither are the rest of us.

Richelle Mead celebrates 10 years of Vampire Academy with an exclusive, never-before-seen collection of stories that sheds new light on the world and its players: The Turn and the Flame takes a deeper look into the dark stain on the Ozera dynasty... From the Journal of Vasilisa Dragomir unearths the princess’s private thoughts from a transformative period of her life… The Meeting gives us a glimpse of Rose Hathaway through Dimitri’s eyes... Hello My Name Is Rose Hathaway tracks the shenanigans that ensue when Rose and Dimitri become unlikely teammates in a high-stakes scavenger hunt... Lissa Dragomir is a Moroi princess: a mortal vampire with a rare gift for harnessing the earth's magic. She must be protected at all times from Strigoi; the fiercest vampires--the ones who never die. The powerful blend of human and vampire blood that flows through Rose Hathaway, Lissa's best friend, makes her a Dhampir. Rose is dedicated to a dangerous life of protecting Lissa from Strigoi, who are hell-bent on making Lissa one of them. After two years of freedom, Rose and Lissa are caught and dragged back to St. Vladimir’s Academy, where vampire royalty and their guardians-to-be prepare for a life fraught with danger. Rose and Lissa must navigate their treacherous world and never once let their guard down, lest the evil undead make Lissa one of them forever. But soon Rose finds herself gripped by temptation of forbidden love, leaving Lissa exposed to Strigoi attack. Now she must choose between the best friend she lives for, and the man she can't live without….

Otis Adelbert Kline was a songwriter, an adventure novelist and literary agent during the pulp era. Much of his work first appeared in the magazine Weird Tales. Kline was an amateur orientalist and a student of Arabic, like his friend and sometime collaborator, E. Hoffmann Price. The critic August Nemo selected seven short stories by this remarkable author for your enjoyment: - The Corpse on the Third Slab. - The Man from the Moon. - The Cup of Blood. - Mignight Madness. - The Malignant Entity. - The Bird-People. - The Thing of a Thousand Shapes.

A collection of stories features a pair of centuries-old vampires whose relationship is tested by a sudden fear of flying, a dejected teen who communicates with the universe, and a massage therapist who heals a tattooed veteran by manipulating the imageson his body.

Le Fanu worked in many genres but remains best known for his horror fiction. He was a meticulous craftsman and frequently reworked plots and ideas from his earlier writing in subsequent pieces. Many of his novels, for example, are expansions and refinements of earlier short stories. He specialised in tone and effect rather than "shock horror", and liked to leave important details unexplained and mysterious. He avoided overt supernatural effects: in most of his major works, the supernatural is strongly implied but a "natural" explanation is also possible. In this book you will find 7 short stories of horror and mystery specially selected by August Nemo: - Carmilla - Green Tea - Mr. Justice Harbottle - The Familiar - The Room in the Dragon Volant - Jim Sulivan's Adventures in the Great Snow - Haunted