60 Sonnets 'Original' And 'Streamlined' respects poetic traditions. The main feature of the collection, an aggregation of 120 Shakespearean sonnets, may be a recurring movement in favor of rigor that has no punctilious formal traditionality. Whatever subject matter might be seen in various examples, many of the sonnets might seem gripping; however, the entire secret of 60 Sonnets 'Original' And 'Streamlined' probably ends up being in the strict form of the Shakespearean sonnet itself as that basic structure repeatedly is 'honored and obeyed' at least in terms of rhyme pattern, meter, and the requisite number of lines. Here are the opening stanzas of "CLXXIX" and "179" Though newer ways to film and televise the subtle shadings of reality may long enhance the lives of human eyes, man still will scarcely have the power to see. That film & better television could be giving the entire great human race a clearer sense that nature may be good is no real proof that humans can have grace. The book's main thrust is highly linguistic--highly grammatical--in that the derivative (the 'streamlined') versions may tend to have veneers that seem otherworldly.

With his best-selling book Caesar's Messiah Joseph Atwill established himself as one of the world's most penetrating independent scholars, rocking the field of Biblical studies and changing our modern understanding of Jesus and the Gospels forever. He uncovered what has been kept hidden from the public for millennia: Christianity began as a highly complex psychological warfare campaign during the First Jewish-Roman War, an ambitious literature project began by the Caesars that was later honed into a potent tool of statecraft, used to this day by the oligarchy for mass pacification.Shakespeare's Secret Messiah is the forceful follow-up that could take the whole of Shakespearean scholarship in a new direction. Continuing his exposé on the New Testament (revealing who really wrote the letters of the Apostle Paul and the Book of Revelation) Atwill demonstrates that the thrust behind the famous playwright's work was to wreak literary revenge, 'measure for measure,' against the deception of the Caesars.The Bard's hidden war on the the Roman Catholic Church, encoded in 'puzzle passages' in the plays, is the key that finally unlocks the true identity of 'Shakespeare,' explaining why the real author chose to hide behind a pseudonym and why other anti-Stratfordian theorists have been looking in the wrong place.Atwill shows step by step how to decrypt familiar works of literature that the average person is expected to revere but not really understand, giving the reader the skills to recognize the true political struggles that have been commemorated in a shadowland of symbols guarded by the ruling classes and in secret societies.

"A work of enormous breadth, likely to pleasantly surprise both general readers and experts."—New York Times Book Review This revolutionary book provides fresh answers to long-standing questions of human origins and consciousness. Drawing on his breakthrough research in comparative neuroscience, Terrence Deacon offers a wealth of insights into the significance of symbolic thinking: from the co-evolutionary exchange between language and brains over two million years of hominid evolution to the ethical repercussions that followed man's newfound access to other people's thoughts and emotions. Informing these insights is a new understanding of how Darwinian processes underlie the brain's development and function as well as its evolution. In contrast to much contemporary neuroscience that treats the brain as no more or less than a computer, Deacon provides a new clarity of vision into the mechanism of mind. It injects a renewed sense of adventure into the experience of being human.

A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book

Analyzes all of Shakespeare's sonnets in terms of their poetic structure, semantics, and use of sounds and images.