575 Haiku Book is an irreverent and comedic poetry book filled with five hundred and seventy-five haikus plus lots of great illustrations. Written by two best friends in their college dorm, Mara and Mackenzie have created a one of a kind read.

Dear haiku journal, I think I killed some people. That was no dog bite. This journal contains the poetic musings of a mailman who, after being bitten by what he thinks is a dog, discovers that he is actually now a werewolf. Wreaking havoc wherever he goes, he details his new life and transformations in the 5-7-5 syllable structure of haiku—his poetry of choice. Follow along as our werewolf poet slowly turns from a mostly normal man into the hairy beast that he cannot keep trapped inside. And watch out for carnage when he changes and becomes hungry. No toenail, no entrail, no pigtail will be left behind. And talk about wreaking havoc: His newfound claws and teeth have sent his clothing budget through the roof! He is in love with a woman on his route, but he has never had the courage to tell her. As he fights against his urges during each full moon, he discovers that succumbing to his primal instincts will not only bag him a good meal—it just might help him in his quest for love…Or maybe not.

In your hands is a poetry journal written by an undead poet, recounting his firsthand experience during the zombie plague. Little is known about the author before he turned into a zombie, but thanks to his continued writings in this journal - even after his death - you can accompany him from infection to demise. Through the intimate poetry of haiku, the zombie chronicles his epic journey through deserted streets and barricaded doors. Each three-line poem, structured in the classic 5-7-5 syllable structure, unravels a little more of the story. You'll love every eye-popping, gut-wrenching, flesh-eating page!

No one said I could do it. No one said I should do it. Then I did it. This book holds the longest haiku ever written, using a syllable hack that will surely be highly debated for years to come. From the comedic mind of Joe Cabello, learn the very nature of what a haiku is and why it exists. This book will make you laugh, then make you cry (but if it makes you cry then laugh, that's good too) PLEASE NOTE: This book is one poem with the letter "m" repeated for over 65 pages. There is more content than the repeated "m," but the majority of the book will simply be that. It is an "artful joke" that will forever change the landscape of your coffee table.

A compact collection of more than 500 poems from Jack Kerouac that reveal a lesser known but important side of his literary legacy “Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.”—Jack Kerouac Renowned for his groundbreaking Beat Generation novel On the Road, Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form’s essence. He incorporated his “American” haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings. In Book of Haikus, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac’s archives with a generous selection of the rest of his haiku, from both published and unpublished sources.

Everything you want to know about haiku written by one of the foremost experts in the field and the “finest translator of contemporary Japanese poetry into American English” (Gary Snyder) Who doesn’t love haiku? It is not only America’s most popular cultural import from Japan but also our most popular poetic form: instantly recognizable, more mobile than a sonnet, loved for its simplicity and compression, as well as its ease of composition. Haiku is an ancient literary form seemingly made for the Twittersphere—Jack Kerouac and Langston Hughes wrote them, Ezra Pound and the Imagists were inspired by them, Hallmark’s made millions off them, first-grade students across the country still learn to write them. But what really is a haiku? Where does the form originate? Who were the original Japanese poets who wrote them? And how has their work been translated into English over the years? The haiku form comes down to us today as a cliché: a three-line poem of 5-7-5 syllables. And yet its story is actually much more colorful and multifaceted. And of course to write a good one can be as difficult as writing a Homeric epic—or it can materialize in an instant of epic inspiration. In On Haiku, Hiroaki Sato explores the many styles and genres of haiku on both sides of the Pacific, from the classical haiku of Basho, Issa, and Zen monks, to modern haiku about swimsuits and atomic bombs, to the haiku of famous American writers such as J. D. Salinger and Allen Ginsburg. As if conversing over beers in your favorite pub, Sato explains everything you wanted to know about the haiku in this endearing and pleasurable book, destined to be a classic in the field.

Poems of commemoration and loss for readers of all ages, from a leading writer of the Black Arts Movement and the American Poetry Society's 2018 Wallace Stevens Award–winner. Sonia Sanchez's collection of haiku celebrates the gifts of life and mourns the deaths of revered African American figures in the worlds of music, literature, art, and activism. In her verses, we hear the sounds of Max Roach "exploding in the universe," the "blue hallelujahs" of the Philadelphia Murals, and the voice of Odetta "thundering out of the earth." Sanchez sings the praises of contemporaries whose poetic alchemy turns "words into gems": Maya Angelou, Richard Long, and Toni Morrison. And she pays homage to peace workers and civil rights activists from Rosa Parks and Congresswoman Shirley Chisholm to Brother Damu, founder of the National Black Environmental Justice Network. Often arranged in strings of twelve or more, the haiku flow one into the other in a steady song of commemoration. Sometimes deceptively simple, her lyrics hold a very powerful load of emotion and meaning. There are intimate verses here for family and friends, verses of profound loss and silence, of courage and resilience. Sanchez is innovative, composing haiku in new forms, including a section of moving two-line poems that reflect on the long wake of 9/11. In a brief and personal opening essay, the poet explains her deep appreciation for haiku as an art form. With its touching portraits and by turns uplifting and heartbreaking lyrics, Morning Haiku contains some of Sanchez's freshest, most poignant work.