Intensively researched and lavishly illustrated, this book provides a comprehensive history of Chinese clothing design. "This beautifully designed and printed volume is one of the best".--The New York Times.

Intensively researched and lavishly illustrated, this book provides a comprehensive history of Chinese clothing design. "This beautifully designed and printed volume is one of the best".--The New York Times.

This book presents the clothing and personal ornaments from 221 BC to modern day. An oversized edition, it intersperses photographs of costume replicas, color duplications of ancient paintings and sculpture, to illustrate many types of ancient attire and ornamentation, and the symbolism behind it.

Historians have long regarded fashion as something peculiarly Western. In this surprising, sumptuously illustrated book, Antonia Finnane challenges this view, which she argues is based on nineteenth- and twentieth-century representations of Chinese dress as traditional and unchanging. Fashions, she shows, were part of Chinese life in the late imperial era, even if a fashion industry was not then apparent. In the early twentieth century the key features of modern fashion became evident, particularly in Shanghai, and rapidly changing dress styles showed the effects. The volatility of Chinese dress throughout the twentieth century matched vicissitudes in national politics. Finnane describes in detail how the close-fitting jacket and high collar of the 1911 Revolutionary period, the skirt and jacket-blouse of the May Fourth era, and the military style popular in the Cultural Revolution gave way finally to the variegated, globalized wardrobe of today. She brilliantly connects China’s modernization and global visibility with changes in dress, offering a vivid portrait of the complex, subtle, and sometimes contradictory ways the people of China have worn their nation on their backs.

Told with beauty and grace, this Cinderella story from Ai-Ling Louie is brought vividly to life by Caldecott Medal-winner Ed Young’s soft, glowing illustrations. Half-starved and overworked by her stepmother, Yeh-Shen’s only friend is a fish with golden eyes. When the stepmother kills the fish for dinner, poor Yeh-Shen is left with only the bones. But the bones are filled with a powerful spirit. When Ye-Shen is forbidden to attend the annual spring Festival, the spirit grants her a gown of azure blue and delicate golden slippers. That night, everyone marvels at the beautiful, mysterious young woman at the ball. “Misty, jewel-like illustrations evoke the mythic past in this Chinese Cinderella story.” —Publishers Weekly