E. L. James' Fifty Shades trilogy has fascinated and seduced millions of readers. In bedrooms, in book clubs, and in the media, people can't stop talking about it! In Fifty Writers on Fifty Shades of Grey, 50 writers—from romance and erotica authors, to real-world BDSM practitioners, to adult entertainment industry professionals—continue the conversation. Fifty Shades as Erotic Fiction Erotic romance writer Sylvia Day speaks to the new opportunities the Fifty Shades trilogy has opened up for writers (and readers!) of erotica Fifty Shades as Sexual Empowerment Romance novelist Heather Graham praises the way the books encourage women to celebrate their own sexual shades of grey Fifty Shades as Fanfiction Editor Tish Beaty relates the process behind turning Twilight fanfic Master of the Universe into Fifty Shades of Grey Fifty Shades as Pop Culture Fifty Shames of Earl Grey author Andrew Shaffer compares Fifty Shades to sister-in-literary-scandal Peyton Place Plus • Matrimonial lawyer Sherri Donovan examines the legalities of Christian's contract • Master R of BDSM training chateau La Domaine Esemar evaluates Christian Grey's skill as a Dominant (and offers some professional advice) • And a whole lot more! Whether you loved Fifty Shades of Grey, or just want to know why everyone else does, Fifty Writers on Fifty Shades of Grey is the book for you. Contributors: • Heather Graham • Sylvia Day • Andrew Shaffer • M.J. Rose • Sinnamon Love • Judith Regan • Stacey Agdern • Laura Antoniou • Jennifer Armintrout • Tish Beaty • Mala Bhattacharjee • Rachel Kramer Bussel • M. Christian • Suzan Colón • Joy Daniels • Sherri Donovan • Angela Edwards • Melissa Febos • Lucy Felthouse • Ryan Field • Selina Fire • Megan Frampton • Sarah Frantz • Louise Fury • Lois Gresh • Catherine Hiller • Marci Hirsch • Dr. Hilda Hutcherson • Debra Hyde • Anne Jamison • D.L. King • Dr. Logan Levkoff • Arielle Loren • Sassafras Lowry • Rachel Kenley • Pamela Madsen • Chris Marks and Lia Leto • Midori • Master R • Dr. Katherine Ramsland • Tiffany Reisz • Katharine Sands • Jennifer Sanzo • Rakesh Satyal • Marc Shapiro • Lyss Stern • Cecilia Tan • Hope Tarr • Susan Wright • Editor X

“To be up all night in the darkness of your youth but to be ready for the day to come…that was what going to Brown felt like.” —Jeffrey Eugenides In celebration of Brown University’s 250th anniversary, fifty remarkable, prizewinning writers and artists who went to Brown provide unique stories—many published for the first time—about their adventures on College Hill. Funny, poignant, subversive, and nostalgic, the essays, comics, and poems in this collection paint a vivid picture of college life, from the 1950s to the present, at one of America’s most interesting universities. Contributors: Donald Antrim, Robert Arellano, M. Charles Bakst, Amy DuBois Barnett, Lisa Birnbach, Kate Bornstein, Sarah Shun-lien Bynum, Mary Caponegro, Susan Cheever, Brian Christian, Pamela Constable, Nicole Cooley, Dana Cowin, Spencer R. Crew, Edwidge Danticat, Dilip D’Souza, David Ebershoff, Jeffrey Eugenides, Richard Foreman, Amity Gaige, Robin Green, Andrew Sean Greer, Christina Haag, Joan Hilty, A.J. Jacobs, Sean Kelly, David Klinghoffer, Jincy Willett Kornhauser, Marie Myung-Ok Lee, David Levithan, Mara Liasson, Lois Lowry, Ira C. Magaziner, Madeline Miller, Christine Montross, Rick Moody, Jonathan Mooney, Rowan Ricardo Phillips, Dawn Raffel, Bill Reynolds, Marilynne Robinson, Sarah Ruhl, Ariel Sabar, Joanna Scott, Jeff Shesol, David Shields, Krista Tippett, Alfred Uhry, Afaa Michael Weaver, and Meg Wolitzer “At Brown, we felt safely ensconced in a carefree, counterculture cocoon—free to criticize the university president, join a strike by cafeteria workers, break china laughing, or kiss the sky.” —Pamela Constable

The largest, most comprehensive anthology of its kind, this volume brings together significant, representative stories from every decade of the twentieth century. It includes the prose of officially recognized writers and dissidents, both well-known and neglected or forgotten, plus new authors from the end of the century. The selections reflect the various literary trends and approaches to depicting reality in this era: traditional realism, modernism, socialist realism, and post-modernism. Taken as a whole, the stories capture every major aspect of Russian life, history and culture in the twentieth century. The rich array of themes and styles will be of tremendous interest to students and readers who want to learn about Russia through the engaging genre of the short story.

Fifty of the world’s greatest writers share their views in collaboration with the artist Matteo Pericoli, expanding our own views on place, creativity, and the meaning of home All of us, at some point in our daily lives, have found ourselves looking out the window. We pause in our work, tune out of a conversation, and turn toward the outside. Our eyes simply gaze, without seeing, at a landscape whose familiarity becomes the customary ground for distraction: the usual rooftops, the familiar trees, a distant crane. The way of life for most of us in the twenty-first century means that we spend most of our time indoors, in an urban environment, and our awareness of the outside world comes via, and thanks to, a framed glass hole in the wall. In Windows on the World: Fifty Writers, Fifty Views, architect and artist Matteo Pericoli brilliantly explores this concept alongside fifty of our most beloved writers from across the globe. By pairing drawings of window views with texts that reveal—either physically or metaphorically—what the drawings cannot, Windows on the World offers a perceptual journey through the world as seen through the windows of prominent writers: Orhan Pamuk in Istanbul, Daniel Kehlmann in Berlin, Chimamanda Ngozi Adichie in Lagos, John Jeremiah Sullivan in Wilmington, North Carolina, Nadine Gordimer in Johannesburg, Xi Chuan in Beijing. Taken together, the views—geography and perspective, location and voice—resonate with and play off each other. Working from a series of meticulous photographs and other notes from authors’ homes and offices, Pericoli creates a pen-and-ink illustration of each window and the view it frames. Many readers know Pericoli’s work from his acclaimed series for The New York Times and later for The Paris Review Daily, which have a devoted following. Now, Windows on the World collects from Pericoli’s body of work and features fifteen never-before-seen windows in one gorgeously designed volume, as well as a preface from the Paris Review’s editor Lorin Stein. As we delve into what each writer’s view may or may not share with the others’, as we look at the map and explore unfamiliar views of cities from around the world, a new kind of map begins to take shape. Windows on the World is a profound and eye-opening look inside the worlds of writers, reminding us that the things we see every day are woven into our selves and our imaginations, making us keener and more inquisitive observers of our own worlds.

A clear and concise survey of some of the most significant writers on photography who have played a major part in defining and influencing our understanding of the medium. It provides a succinct overview of writing on photography from a diverse range of disciplines and perspectives and examines the shifting perception of the medium over the course of its 170 year history. Key writers discussed include: Roland Barthes Susan Sontag Jacques Derrida Henri Cartier-Bresson Geoffrey Batchen Fully cross-referenced and in an A-Z format, this is an accessible and engaging introductory guide.

Cult Writers handpicks 50 notable figures from the modern world of literature and explores the creative genius that earned them the cult label, while celebrating the works that made their names. What makes a cult writer? Whether pioneering in their craft, fiercely and undeniably unique or critically divisive, cult writers come in all shapes and guises. Some gain instant fame, others instant notoriety, and more still remain anonymous until a chance change in fashion sees their work propelled into the limelight. In Cult Writers Ian Haydn Smith introduces 50 novelists deserving of a cult status. The literary genres and subjects explored within these writers’ pages are rich and diverse – acting as mirrors of their genius minds: from Irvine Welsh’s gritty Edinburgh streets, to Ken Kesey’s drug-fuelled madness; from feminist trailblazer Sylvia Plath to the magical realism of Angela Carter. Discover little knowns with small, devout followings and superstars gracing the covers of magazines: each writer is special in their individuality and their ability to inspire, antagonise and delight. With colourful and quirky illustrations by Kristelle Rodeia, Cult Writers is an essential addition to any book lover's library, as well as an entertaining introduction to our weird and wonderful world of literature. The Writers: Kathy Acker, James Baldwin, J.G. Ballard, Mikhail Bulgakov, Charles Bukowski, William S. Burroughs, Octavia E. Butler, Italo Calvino, Albert Camus, Angela Carter, Colette, Maryse Conde, Julio Cortazar, Philip K. Dick, Douglas Coupland, Marguerite Duras, Ralph Ellison, Elena Ferrante, Janet Frame, Jean Genet, Joseph Heller, Michel Houellebecq, James Joyce, Franz Kafka, Ken Kesey, Chris Kraus, Milan Kundera, Ursula K. Le Guin, Doris Lessing, Cormac McCarthy, Carson McCullers, Yukio Mishima, Haruki Murakami, Anais Nin, Sylvia Plath, Thomas Pynchon, Raymond Queneau, Ayn Rand, Pauline Reage, Jean Rhys, Juan Rulfo, Francoise Sagan, J.D. Salinger, Arkady and Boris Strugatsky, Donna Tartt, Jim Thompson, J.R.R. Tolkien, Kurt Vonnegut, Virginia Woolf, Irvine Welsh.

In her entertaining and edifying New York Times bestseller, acclaimed author Francine Prose invites you to sit by her side and take a guided tour of the tools and tricks of the masters to discover why their work has endured. Written with passion, humour and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart – to take pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; to look to John le Carré for a lesson in how to advance plot through dialogue and to Flannery O’ Connor for the cunning use of the telling detail; to be inspired by Emily Brontë ’ s structural nuance and Charles Dickens’ s deceptively simple narrative techniques. Most importantly, Prose cautions readers to slow down and pay attention to words, the raw material out of which all literature is crafted, and reminds us that good writing comes out of good reading.