“Urgent, varied poems… playful, surprising and sad by turns, or meditative.” —Washington Post “The overarching metaphors of film and movie-going appear gracefully” (Lauren Kane, Paris Review) in the poems of 4:30 Movie—by turns intimate and wild, provocative and tender. Award-winning poet Donna Masini explores personal loss, global violence, the preoccupations of our daily lives, and the consolations of art as she brings her wit, grief, fury, and propulsive energy to bear on our attempts to bargain with endings of every kind.

In highly charged, dazzling language, 4:30 Movie explores a sister’s death and the ways movies shape our imaginations. In poems that are by turns intimate and wild, provocative and tender, award-winning poet Donna Masini explores personal loss, global violence, and the consolations of art. She brings her wit, grief, fury, and propulsive energy to bear on the preoccupations of our daily lives and our attempts to bargain with endings of every kind. Equal parts lament and praise, 4:30 Movie is fueled by despair and humor, governed by the ways in which movies enter our imaginations and frame our experiences. The movie theater becomes a presiding metaphor: part waiting room, part childhood, part underground depths where the self is a bit player, riding the subway with “its engine of extras.” Masini's exquisite wordplay shows the mind wrestling ferociously to forestall grief, as if finding the right words might somehow allow us to extend our beautiful, foreshortened run.

How to find the locations used for movies and television shows, from the belltower in "Vertigo" to the baseball field in "Field of Dreams."

The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.

Don DeLillo, American Original is a startlingly original and provocative reinterpretation of one of the most important novelists of the 20th and 21st centuries. Adopting a direct approach that steers clear of debates with secondary literature and covering the full arc of Don DeLillo's career from A to Z – Americana (1971) to Zero K (2016) – Michael Naas shows that the extraordinary power, authority, insight, and inventiveness of DeLillo's fiction are the result of the way it traffics everywhere in contraband goods and narratives, in doubleness or duplicity of every kind, in multiple voices, story lines, times, places, and media that at once interrupt and complement one another. This is a book that invites skimming and dipping, structured into easily digestible sections on everything from weapons and drugs to erotica, nuclear waste, and secret societies, each preceded by humorous and incisive epigraphs from DeLillo's novels. Michael Naas reads DeLillo's fiction as a way of life or as equipment for living, rather than as a critical puzzle to be solved – and thereby opens up new horizons for thinking about why literature matters in the 21st century.