Inspired by incidents during the 1922 coal strike in Pennsylvania, Dressick spent months researching the rhythms of early coal town life. Interviewing family members, he immersed himself in the coal heritage materials, many housed at the Indiana University of Pennsylvania. Frederick Barthelme states "Dressick is an artist to be reckoned with."

Widower for three years. Frequent periods of unemployment throughout his life. Unresolved anger. A fragmented family that cannot deal with a father spiraling downward. When Martin receives a letter from his old eighth grade teacher asking him to forgive her for a painful childhood accusation, he is overwhelmed once again by his hatred for Miss Wingate, blaming her for much of what went wrong in his life. His son and daughter eventually help him take reluctant steps to forgive the teacher he wished was long dead. He also meets recently-divorced Linda who brings a flow of freshness into his life. She encourages Martin to visit this teacher, now dying from dementia in a nursing home. Along his journey to the coal mining community of his childhood, strangers enter his life compelling him to confront his past and unsure future—helping him move from failure to forgiveness and spiritual redemption.

Not unlike his literary forebearers Donald Barthelme and Robert Coover, Damian Dressick brings us a crackling series of dispatches fresh from the postmodernist front. This daring gathering of brief, innovative stories tantalizes the intellect nearly as much as it illuminates the human heart. Drawing from his quiver of flash fictions, prose poems, lists, pie charts and micros, Dressick's narratives are fully engaged with the wild disorder that everyday feels more and more like the sine qua non of our fractured now. Meet meth-addicted grizzly bears, a coal mining Jesus, grieving alcoholic parents, and murderous villagers whose only speech is culinary in this fleeting edge tour de force....Fables of the Deconstruction. PRAISE FOR FABLES OF THE DECONSTRUCTION "This collection of sixty-three stories is as rich and varied as a patisserie, as nasty and brutish as a Japanese architect in the mid-sixties, as delicate as the swift-moving scents in the coastal air at midnight. To call these stories short-shorts or "flash fiction" is to do them a disservice. While some are indeed short, and many are pleasantly flashy, every one hits home with the weight of boxer's punch, every one is more beautiful, and more fun, than the last. This is a first rate performance by an artist to be reckoned with." -Frederick Barthelme, author of There Must Be Some Mistake "Like Donald Barthelme, Damian Dressick finds himself on the leading edge of the junk phenomena. The thingness of things falls apart delightfully right before our dilated eyes. Fun for the whole goddamn nuclear family." -Michael Martone, author of Michael Martone "Fables of the Deconstruction is funny, sad, dreamy, and brutal. The stories here veer off in strange directions, happily disobedient to the conventions that plague so much of our current grindingly cautious literature. This is a credit to Damian Dressick, an excitable and exciting new writer who will probably be a big deal someday and, in fact, if you check your heart, already is." -Steve Almond, author of Rock and Roll Will Save Your Life "Damian Dressick writes with gusto and sly humor, and Fables of the Deconstruction introduces a bold and robust new voice of impressive range. A heady debut." -Gary Lutz, author of The Complete Gary Lutz "Damian Dressick's Fables of the Deconstruction expertly explores the question: why not? Wandering through Dressick's terrain, you can leave your own (real) life behind for a while. Sit back and enjoy. This little book will make you both happy and sad-with footnotes." -Sherrie Flick author of I Call This Flirting and Reconsidering Happiness

As early as 1885, Salem Township's supply of coal attracted companies to build mines and "coal patch" towns. In 1916, Slickville was the last coal patch town built in Salem Township. When the demand for soft coal declined, the companies abandoned the mines, leaving the towns to survive on their own. Delmont, originally known as Salem Crossroads or New Salem, is one of the oldest boroughs in Westmoreland County. Formed around a spring that was eventually piped to a watering trough that still remains, Delmont boasted a busy stagecoach route and was one of the main stagecoach stops on the Northern Turnpike. The arrival of the railroad left little need for stagecoaches, but Delmont continued to survive. In 1993, the Pennsylvania Turnpike 66 opened just south of Delmont in Salem Township, bringing promise to a community once disappointed by Northern Turnpike's decline. Salem Township and Delmont provides a glimpse into the rich history of these communities.

One of Entertainment Weekly’s "Most Beautiful Books of the Year" The renaissance of Larry McMurtry, “an alchemist who converts the basest materials to gold” (New York Times Book Review), continues with the publication of Thalia. Larry McMurtry burst onto the American literary scene with a force that would forever redefine how we perceive the American West. His first three novels— Horseman, Pass By (1961),* Leaving Cheyenne (1963), and The Last Picture Show (1966)— all set in the north Texas town of Thalia after World War II, are collected here for the first time. In this trilogy, McMurtry writes tragically of men and women trying to carve out an existence on the plains, where the forces of modernity challenge small- town American life. From a cattleranch rivalry that confirms McMurtry’s “full- blooded Western genius” (Publishers Weekly) to a love triangle involving a cowboy, his rancher boss and wife, and finally to the hardscrabble citizens of an oil- patch town trying to keep their only movie house alive, McMurtry captures the stark realities of the West like no one else. With a new introduction, Thalia emerges as an American classic that celebrates one of our greatest literary masters. *Just named in 2017 by Publishers Weekly the #1 Western novel worthy of rediscovery.