General A.P. Clark shares how he created an elaborate escape organization while serving as a senior ranking officer at Stalag Luft III, a German prisoner of war camp, during World War II.

Fourteen student papers from an undergraduate seminar examine American POW memoirs from the Revolutionary War through the Vietnam War. The focus of the student authors is on how American POWs have constructed narratives of their internments. The papers examine various styles of narration, characterization, and plot construction and how the POW memoirs are framed with introductions, quotations, maps, and illustrations. Overall, these papers suggest that the contexts in which authors write POW memoirs may influence the character of the memoirs they write as much as the attributes of their POW experiences. 'American POW Memoirs' is a unique collection of papers. This publication provides an example of how an undergraduate seminar might move from training students in scholarly practice to providing students a first experience as scholarly practitioners.

A pictorial history of the infamous, World War II Nazi POW camp for Allied soldiers made famous in Hollywood. In early 1942, the Third Reich opened a maximum-security prisoner-of-war camp for captured Allied airmen in Lower Silesia, now Poland. Called Stalag Luft III, the camp soon came to contain some of the most inventive escapers ever known. The escapers were led by Squadron Leader Roger Bushell, codenamed “Big X.” In March 1944, Bushell masterminded an attempt to smuggle hundreds of POWs down a tunnel built right under the noses of their guards. In fact, 76 Allied airmen clambered into the tunnel and only three made successful escapes. This remarkable breakout would be immortalized in the classic Steve McQueen film, The Great Escape, in which the bravery of the men was rightly celebrated. Behind the scenes photographs from the film are included, along with rare photographs from wartime archives, in this definitive pictorial work on the most famous POW camp of World War II.

During World War II, 300,000 United States Army Air Corps airmen were shot down. Of that number, 51,000 were prisoners of war or listed as missing in action. Bombardiers, positioned in the vulnerable bombardiers compartment at the front of the aircraft, were in high demand. The authors fathers were two such bombardiers, one on a B-17 and the other on a B-24. Like so many of the post-war generation, the authors traveled on their own emotional journeys to reconstruct their fathers WWII experiences. Their fathers fought in the flak-ridden blue battlefield, and like thousands of other airmen shot out of the sky, became prisoners of war. They would endure deprivation, loneliness, and great peril. Held at Stalag Luft III, where the Great Escape of movie fame took place, they, along with the British, were eventually force marched 52-miles in the dead of winter to Spremberg, Germany, and loaded onto overcrowded, filthy, boxcars, the Americans to be taken to Stalag VIIA in Moosburg, Germany, or to Stalag XIII-D in N rnberg. Languishing until their liberation in barbaric conditions with nearly 120,000 international POWs, they witnessed the death throes of the Third Reich. With many sons and daughters trying to explore the wartime histories of their loved ones, the authors supply crucial information and insight regarding the World War II POW experience in Europe. Often times, by necessity, that experience reflects the co-existence and tenuous relationship with the Germans holding them. In this book, there are stories that up until now have not been heard, and there are hundreds of pictures, many previously unseen, illustrating the prisoners plight. This book is a documentation of riveting history and a chance to vicariously live the war, told through their voices --echoes now fading with time. Their sacrifices to ensure precious freedom should never be forgotten.

Stalag Luft III is the camp most commonly associated with the Allied prisoner of war experience in World War II Germany. Housing mainly British and American flyers, it was the historical setting for the movie The Great Escape. As with most Hollywood treatments, however, the film blurred the line between fact and fiction. In Stalag Luft III: The Secret Story, Arthur A. Durand offers the first comprehensive historical examination of what camp life was actually like, from the mundane drudgery of the prisoners' daily lives to their harrowing struggle for survival against an enemy responsible for the deaths of millions. Relying on coded records kept by appointed camp historians, as well as personal interviews, letters, logs, diaries, and recently declassified government documents, Durand expertly combines impressive scholarship with dramatic narrative.

Odyssey of a Bombardier is the illustrated Prisoner of War “log” that depicts the experiences of bombardier Richard M. Mason in German prison camps after his B-17 “Flying Fortress” was shot down by the Germans in France in 1944, the final year of World War II. The log follows Mason from the day his plane crashed until his liberation in April, 1945, and his return home to the United States. Included are such topics as medical treatment and rehabilitation for wounded prisoners of the Germans, life in Stalag Luft III, a difficult long march in an arctic winter to another camp, the travails of prisoners in the overcrowded, filthy camp at Moosburg, critical food shortages, and the arrival of General George Patton with the liberating forces. Mason was an amateur artist and illustrated his journal with moving depictions of prison life and comradeship. This book shows U.S. airmen demonstrating grace and courage under pressure and meeting every challenge that their imprisonment presented.

Carl Holmstrom’s superb artwork depicts life as a ‘kriegie’ in a unique manner. But, more than that, he spent the major part of his captivity in Stalag Luft III Prisoner of War Camp, famous for ‘The Great Escape’. The audacity of the 76 escapees was only matched by the callousness of the Nazis who murdered 50 after recapture. As well as skillfully recording camp life, Carl forged invaluable official documents. He also sketched his fellow prisoners and encouraged others to take up drawing as hobby. Remarkably he saved over 200 examples of his work by carrying them on the appallingly arduous 1945 winter march from Poland into Germany. Post war, Carl Holmstrom said, “The drawings were made during imprisonment and represent a sincere effort to portray to the American people and especially to the relatives of the prisoners, intimate glimpses of Kriegie life.” His words proved to be prophetic. An expansion of his earlier self-published Kriegie Life, this superb book honors Carl’s exceptional artistic gift. This book has strong claim to contain the finest collection of POW art to emerge from Nazi-occupied Europe.