Manik Bandopadhyay's stories are focussed on the daily existence of rural Bengal, especially the darkness and the wretchedness that surround the lives of the people. Unlike his contemporaries he does not focus on the serene, calm beauty of the landscape. The three short stories in this anthology, also written in the same vein, speak of rural uprising, exploitation of women and fickleness of the human mind.

Signs (Chinha), written in 1946, was Manik Bandyopadhyay's fifteenth novel, and is something of a hidden gem of Bengali literature.The novel is set in the mass uprisings that Calcutta witnessed in protest against the trial and sentencing of Captain Rashid Ali of the Indian National Army. These outbursts of popular anger were initiated by students, and involved large sections of the working people.The author weaves together a number of episodes, meetings and partings happening simultaneously at different locations through a kind of narrative 'montage'. The narration represents this revolutionary moment witnessed through the eyes of myriads of people who make it, whether by participating in it or by being caught up in it, by remaining on the margin or by trying to use it to their own purpose, or even by resisting it. It is a rare attempt to catch the internal dynamics of the action by focussing on the fast-changing relationships among its speaking, thinking, acting human agents, when the singular motive force of the objective situation is manifested in the multiplicity of responses.Signs was such a departure from the writing of the time that the author noted, 'It is written in a new technique. I do not know whether it should be called a novel.' Manik Bandyopadhyay failed to interest his publisher into issuing a second print during his lifetime. It was published again after his death.This is the first English translation of this modernist masterpiece, introduced and annotated by scholar and activist Malini Bhattacharya.

"A powerful portrait of the oppressed and the forms of oppression that occur in India."—Theodore Riccardi, Jr., Columbia University

The best short stories of Satyajit Ray Best known for his immensely popular Feluda mysteries and the adventures of Professor Shonku, Satyajit Ray was also one of the most skilful short story writers of his generation. Ray’s short stories often explore the macabre and the supernatural, and are marked by the sharp characterization and trademark wit that distinguish his films. This collection brings together Ray’s best short stories—including such timeless gems as ‘Khagam’, ‘Indigo’, ‘Fritz’, ‘Bhuto’, ‘The Pterodactyl’s Egg’, ‘Big Bill’, ‘Patol Babu, Film Star’ and ‘The Hungry Septopus’—which readers of all ages will enjoy. A collection of forty-nine short stories

This unforgettable novel puts human faces on the Syrian war with the immigrant story of a beekeeper, his wife, and the triumph of spirit when the world becomes unrecognizable. “A beautifully crafted novel of international significance that has the capacity to have us open our eyes and see.”—Heather Morris, author of The Tattooist of Auschwitz WINNER OF THE ASPEN WORDS LITERARY PRIZE • FINALIST FOR THE DAYTON LITERARY PEACE PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY REAL SIMPLE Nuri is a beekeeper and Afra, his wife, is an artist. Mornings, Nuri rises early to hear the call to prayer before driving to his hives in the countryside. On weekends, Afra sells her colorful landscape paintings at the open-air market. They live a simple life, rich in family and friends, in the hills of the beautiful Syrian city of Aleppo—until the unthinkable happens. When all they love is destroyed by war, Nuri knows they have no choice except to leave their home. But escaping Syria will be no easy task: Afra has lost her sight, leaving Nuri to navigate her grief as well as a perilous journey through Turkey and Greece toward an uncertain future in Britain. Nuri is sustained only by the knowledge that waiting for them is his cousin Mustafa, who has started an apiary in Yorkshire and is teaching fellow refugees beekeeping. As Nuri and Afra travel through a broken world, they must confront not only the pain of their own unspeakable loss but dangers that would overwhelm even the bravest souls. Above all, they must make the difficult journey back to each other, a path once so familiar yet rendered foreign by the heartache of displacement. Moving, intimate, and beautifully written, The Beekeeper of Aleppo is a book for our times: a novel that at once reminds us that the most peaceful and ordinary lives can be utterly upended in unimaginable ways and brings a journey in faraway lands close to home, never to be forgotten. Praise for The Beekeeper of Aleppo “This book dips below the deafening headlines, and tells a true story with subtlety and power.”—Esther Freud, author of Mr. Mac and Me “This compelling tale had me gripped with its compassion, its sensual style, and its onward and lively urge for resolution.”—Daljit Nagra, author of British Museum “This novel speaks to so much that is happening in the world today. It’s intelligent, thoughtful, and relevant, but very importantly it is accessible. I’m recommending this book to everyone I care about.”—Benjamin Zephaniah, author of Refugee Boy