The three stories in this collection are united by a common theme of chivalry and sacrifice. It was said that Abanindranath Tagore used his pen as an artist uses a brush – to colour old tales and bring them to vivid life. The stories are filled with unforgettable vignettes of heated desert sands and filigreed balconies clinging to sheer mountain walls. Ancient battles and family sagas come to life and it is easy to see how these stories inspired many young freedom fighters to dare and dream of overthrowing their colonial masters. Whether today’s reader seeks inspiration or is simply entertained by these tales of Rajput valor, they are a magical window to the richness of Indian literature.

Study on the selected paintings of Abanindranath Tagore, 1871-1951, Indian painter; includes reproduction of the original paintings.

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This volume provides a revisionary critique of the art of Abanindranath Tagore, the founder of the national school of Indian painting, popularly known as the Bengal School of Art. The book categorically argues that the art of Abanindranath, which developed during the Bengal Renaissance in the 19th–20th centuries, was not merely a normalization of national or oriental principle, but was a hermeneutic negotiation between modernity and community. It establishes that his form of art—embedded in communitarian practices like kirtan, alpona, pet-naming, syncretism, and storytelling through oral allegories—sought a social identity within the inter-subjective context of locality, regionality, nationality, and trans-nationality. The author presents Abanindranath as a creative agent who, through his art, conducted a critical engagement with post-Enlightenment modernity and regional subalternity.

An unforgettable historical novella that leads you to the flowing sand dunes of Rajasthan, the clash of swords, to the courtyard of kings and queens. The book captures the spirit of a heroic past that never fails to move readers even today.

The New York Times–bestselling biography of Manet, Cezanne, Degas, and others—a “revealing group portrait . . . lively, required reading” (People). Though they were often ridiculed or ignored by their contemporaries, their paintings are now revered around the world. Their dazzling works are familiar to even the most casual art lovers—but how well do we know the Impressionists as people? The first book to offer an intimate and lively biography of the world’s most popular group of artists, including Manet, Monet, Pissarro, Cézanne, Renoir, Degas, Sisley, Morisot, and Cassatt. Sue Roe’s Private Lives of the Impressionists, follows an extraordinary group of artists into their Paris studios, down the rural lanes of Montmartre, and into the rowdy riverside bars of a city undergoing monumental change. Vivid and deeply researched, it casts a brilliant light on this unparalleled society of genius colleagues who lived and worked together for twenty years—and transformed the art world with their breathtaking depictions of ordinary life.

Three fables by Bengal's most remarkable children's writer and artist. Adapted from The Wonderful Adventures of Nils by Nobelprize winning Swedish writer Selma Lagerlof, Booro Angla is an allegorical tale about a boy's adventures in a forest in British-occupied Bengal. Alor Phulki is an adaptation of the play Chantecler written by the French poet Edmond Rostand. It is a satire inspired by the barnyard animals in his home in the south of France. Khirer Putul is a charming fable that draws on the rich oral tradition of Bengal. An all-time favourite children's classic by Abanindranath Tagore, it is the story of the sugar doll and the two queens, and tells us how Duorani triumphs over her jealous co-wife with the help of her clever monkey-son.