This first volume in a catalogue raisonné of Tuymans's paintings surveys nearly 200 works from the vital early years of his career Credited with a key role in the revival of painting in the 1990s, Belgian artist Luc Tuymans (b. 1958) continues to produce subtle, and at times unsettling, works that engage with history, technology, and everyday life. This first volume in a catalogue raisonné of Tuymans's paintings surveys nearly 200 works that were vital to his artistic development. The years 1972 to 1994 witnessed the maturation of his signature method of painting from preexisting imagery--such as magazine images, Polaroids, and television footage--as well as his first solo exhibition. Also dating from this period are many of his seminal canvases, along with ten poignant portraits of the ailing human body and the enigmatic series Superstition that comprised his first works exhibited in the United States. The catalogue features brilliant new photography of each of the paintings and an illustrated chronology with archival images and installation shots of the works in this volume. This publication is a testament to Tuymans's persistent assertion of the relevance and importance of painting--a conviction that he maintains even in today's digital world, when his work continues to be a touchstone for artists and scholars.

Billy Apple (born Barrie Bates in Auckland, 1935) is New Zealand's most internationally significant living artist and a pioneer of pop and conceptual art. At the Royal College of Art in London from 1959&–62, Apple studied with key contemporaries &– notably David Hockney &– and staged one of the earliest solo exhibitions in the new &‘pop' art after changing his name, in 1962, to &‘Billy Apple'. In 1964 he moved to New York. There, he worked as an art director, developed his art, exhibited extensively with leading artists (notably in the 1964 American Supermarket exhibition with Andy Warhol, Jasper Johns and others), and established one of the first alternative art spaces &– &‘Apple' &– which hosted some of the new ephemeral activities that enlivened the New York scene in the 1970s. He returned to live in New Zealand in 1990 where he continues to produce his particular brand of conceptual art. Apple's work is held in permanent collections from the Tate to the Philadelphia Museum of Art.This is the first substantial book on Billy Apple's career. Based on over a decade of research all over the world and unprecedented access to Apple's own archive, Billy Apple&®: Life/Work chronicles an extraordinary sixty-year career and the art scenes that have sustained it in London, New York and Auckland.The book includes more than 200 illustrations in colour, with a generous selection of reproductions of Apple's works as well as other illustrative material.

Brazil has been a major site of modernity for all art forms. By using the first Saõ Paulo Bienal in 1951 as a starting point, this exhibition highlights some key moments of experimentation to have emerged. The selected works illustrate how sculptors have explored potential sites to locate their work outside the formality of the gallery or museum.