I, the Citizen is an attempt to understand citizen development and engagement. R. Balasubramaniam takes the reader through interpretations of development initiatives at the grassroots and what good governance means to ordinary people. He unravels the power of citizen engagement through his experiences of leading civil society campaigns against corruption and towards strengthening democratic participation of people. I, the Citizen also deals with the philosophical underpinnings of public policies, drawing from his on-the-ground experience as well as engagement with those in the higher echelons of policymaking and implementation. The last section of the book provides glimpses into milestones of a development movement, which Balu founded and led, milestones that are responsible for a continued faith in citizen engagement despite the hindering forces.

Greed has always been a driving force in human lives and human history. Arindam Mukherjee shows how the greed of western expansionist civilizations has dominated not only their own history, but has come to dominate the entire world, to the great sorrow of the majority of the world's people. Using a broad range of sources and drawing upon the best insights of such thinkers as Noam Chomsky, William Blum, and Pepe Escobar, the author brilliantly analyzes the fundamental force driving the relentless string of tragedies in human affairs. A must read for anyone concerned with international peace and social justice.

America's often-unspoken morality codes make many topics taboo in "the land of the free." This book analyzes hundreds of popular culture examples to expose how the media both avoids and alludes to how we derive pleasure from our bodies. Flatulence ... male nudity ... abortion ... masturbation: these are just a few of the taboo topics in the United States. What do culturally enforced silences about certain subjects say about our society—and our latent fears? This work provides a broad yet detailed overview of popular culture's most avoided topics to explain why they remain off-limits and examines how they are presented in contemporary media—or, in many cases, delicately explored using euphemism and innuendo. The author offers fascinating, in-depth analysis of the meaning behind these portrayals of a variety of both mundane and provocative taboos, and identifies how new television programs, films, and advertising campaigns intentionally violate longstanding cultural taboos to gain an edge in the marketplace.