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One of the most fascinating of the many subcultures of North America is that of the French-speaking Acadians. TALKING ACADIAN: Communication, Work and Culture, by John Chetro-Szivos looks into the lives of the French-speaking American Acadians, particularly those who left eastern Canada to settle in Massachusetts in the 1960s. This book captures their feelings about family life and their values, mores and morals. It traces the ways they use communication to develop and maintain their culture. What the reader learns is that to talk about Acadians you must talk about work. This group gives us new insights into the world of work - a central feature of living for the Acadians and crucial to their self-definition. There are few sources about this culture and their experiences in the United States. This book makes contributions to communication studies, more specifically the Coordinated Management Meaning by analyzing the situated interactions of this community, demonstrating the capacity of communication to transmit the rules and grammar of a culture, and highlighting Cronen's consequentiality of communication. John Chetro-Szivos is a communication scholar and chair of the Department of Communication at Fitchburg State College in Massachusetts. He received bachelor's and master's degrees from Assumption College, a master's from Anna Maria College, and his doctorate in communication from the University of Massachusetts, Amherst. He has published several works in the field of communication, specifically on the Coordinated Management of Meaning theory and American pragmatism.

Bordeaux, 1734. To honor a dying man's request, a baron sets sail with his young son for Quebec City to find his destiny.

We Were Not the Savages is unique, in chronological scope and in the story it tells, covering the last three centuries of Mi'kmaq history in detail.

History of the Micmac Indians of northeastern North America. Includes descriptions of traditinal social and political systems but focuses primarily on the post-colonization period.

The Nobel Prize winner’s catalog of his Istanbul museum is like “wandering past the illuminated windows of an arcade. . . . This book spills over with pleasure”(The New York Times). The culmination of decades of omnivorous collecting, Orhan Pamuk’s Museum of Innocence in Istanbul uses his novel of lost love, The Museum of Innocence, as a departure point to explore the city of his youth. In The Innocence of Objects, Pamuk’s catalog of this remarkable museum, he writes about things that matter deeply to him: the psychology of the collector, the proper role of the museum, the photography of old Istanbul (illustrated with Pamuk’s superb collection of haunting photographs and movie stills), and of course the customs and traditions of his beloved city. The book’s imagery is equally evocative, ranging from the ephemera of everyday life to the superb photographs of Turkish photographer Ara Güler. Combining compelling visual images and writing, The Innocence of Objects is an original work of art and literature.

Presents a collection of twenty-nine lullabies and rhymes that include lyrics reproduced in the original African language and translated into English.