This classic on games and how to play them intelligently is being re-issued in a new, four volume edition. This book has laid the foundation to a mathematical approach to playing games. The wise authors wield witty words, which wangle wonderfully winning ways. In Volume 1, the authors do the Spade Work, presenting theories and techniques to "dissect" games of varied structures and formats in order to develop winning strategies.

In the quarter of a century since three mathematicians and game theorists collaborated to create Winning Ways for Your Mathematical Plays, the book has become the definitive work on the subject of mathematical games. Now carefully revised and broken down into four volumes to accommodate new developments, the Second Edition retains the original's wealth of wit and wisdom. The authors' insightful strategies, blended with their witty and irreverent style, make reading a profitable pleasure. In Volume 2, the authors have a Change of Heart, bending the rules established in Volume 1 to apply them to games such as Cut-cake and Loopy Hackenbush. From the Table of Contents: - If You Can't Beat 'Em, Join 'Em! - Hot Bottles Followed by Cold Wars - Games Infinite and Indefinite - Games Eternal--Games Entailed - Survival in the Lost World

This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.

This book reveals the influences of modern history and psychology on British drama; the all-important influence of Irish dramatists like Wilde, Shaw, O’Casey, and Beckett; the significance of the Independent Theatre of J. T. Grein and the early Royal Court Theatre; the gay community’s contribution to the British theater; the powerful new feminist drama; and the British festival theater. Auseful tool for readers wishing to know more about Britain’s great dramatic tradition and vital contemporary theater, for students pursuing drama studies, and for libraries in need of an accessible reference work.

This book brings together over 200 short (very short) plays from the New York production of the acclaimed cult theater hit "Too Much Light Makes the Baby Go Blind." "Too Much Light Makes the Baby Go Blind," created by Greg Allen, debuted in Chicago in December, 1988, and has been playing to sold out houses ever since. The show presents 30 plays in 60 minutes, 50 weeks a year, to a devoted following. The ensemble of writer-performers generates between two and 12 new plays each week, as dictated by a roll of the dice, creating a constantly changing menu of plays. In 2004, a New York ensemble was formed and the show has been running there since, playing to houses of younger, culturally adventurous audiences as well as seasoned theater-goers. The 225 plays in this volume, culled from more than 1,300 the New York company has generated since 2004, reflect the diversity of 35 current and past ensemble members and the multiplicity of viewpoints and voices they bring to the stage. The material runs the gamut of style, tone, and topic: musical, confession, agit-prop, poetic gesture, physical comedy, puppet theater, audience interrogation, folk song, sex joke, and many more.