The government has lost all sense of responsibility to do what's right. When does enough become enough?

The Age of Scandal focuses on the period in late 18th-century England following the Age of Reason—a period characterized by dilettantism, material comfort & eccentricity. Based on writings by Horace Walpole & other literate recorders, White has constructed a “little scrapbook of a nostalgic Tory.” He describes the eccentricities of the 18th-century Royal Family, the fashions of the nobility—the powdering of wigs, eating, drinking, medicine, birthday parties, theater & pronunciation; attitudes toward religion & sport; and above all, the outrageous gossip circulating in literary circles.

This book examines how scandal allegations have been managed in the contemporary era in the United States and how understandings of the impact of scandal on political credibility have changed over time. It incorporates prominent scandals, at both federal and state level, in which sudden and unexpected revelations created an uncertain political environment. The primary focus is on sex scandals and how damage limitation strategies have been utilized in order to try to limit and accommodate a demise in political standing. The book considers how damage limitation strategies were utilized, the core components of each, and their impact on the political standing of the individuals involved. Rather than marking the end of a political journey, scandal increasingly appears to be an issue that can be perceived as a temporary impediment in a political career.

"The story of the 1890s scandal in which a young woman named Madeline Pollard sued congressman William Campbell Preston Breckenridge for breach of promise. Pollard won the suit, and the mystery of who helped her pay the extravagant legal expenses in order to bring Breckinridge down illuminates a shift in the sexual politics of the Victorian era"--

In its exploration of some of the most influential, popular, or critically acclaimed television dramas since the year 2000, this book documents how modern television dramas reflect our society through their complex narratives about prevailing economic, political, security, and social issues. Television dramas have changed since the turn of the 21st century—for the good, many would say, as a result of changes in technology, the rise of cable networks, and increased creative freedom. This book approaches the new golden age of television dramas by examining the programs that define the first 15 years of the new century through their complex narratives, high production value, star power, popularity, and enthusiastic fan culture. After an introduction that sets the stage for the book's content, thematic sections present concise chapters that explore key connections between television dramas and elements of 21st-century culture. The authors explore Downton Abbey as a distraction from contemporary class struggles, patriarchy and the past in Game of Thrones and Mad Men, and portrayals of the "dark hero protagonist" in The Sopranos, Dexter, and Breaking Bad, as a few examples of the book's coverage. With its multidisciplinary perspectives on a variety of themes—terrorism, race/class/gender, family dynamics, and sociopolitical and socioeconomic topics— this book will be relevant across the social sciences and cultural and media studies courses.

Since the beginning of theatre history, scandals have taken place and the variety of causes, processes and types of interactions makes them an interesting object of study. Theatre scandals often indicate clashes with a dominant ideology or with the ideology of a particular group in society. Sometimes, following a scandal, the attacked ideology changes and incorporates the possibility of the aesthetics or themes that caused the clash. In this way, scandals can cause dynamic changes within cultural systems. Next to theoretical considerations the contributors, all members of the IFTR Theatrical Event Working Group, present in their various case studies a wide cultural and chronological diversity of theatre scandals, all of which were experienced as very shocking moments in theatre history.

Mitte März 2018 skandalisierten Medien die Datenberatungsfirma Cambridge Analytica und den Milliardenkonzern Facebook wegen fragwürdiger Methoden, die während der Brexit-Kampagne und des US-Wahlkampfs 2016 Anwendung fanden. Die Affäre um die beiden Unternehmen machte deutlich, dass viele Skandalfälle nicht an Ländergrenzen Halt machen und je nach kulturellem Hintergrund unterschiedlich beurteilt werden. "Scandalogy 2: Cultures of Scandals – Scandals in Culture" vereint aktuellste Forschungsergebnisse internationaler Forscher zum Themenfeld "Skandale". Ein besonderer Fokus liegt dabei auf der Skandalberichterstattung, etwa durch eine Langzeitstudie in Großbritannien oder durch eine Analyse der Berichterstattung über Spionage im Kalten Krieg in den USA. Andere Beiträge widmen sich Online-Skandalisierungformen wie dem sogenannten "Shit Storm". Der Sammelband richtet sich an Forscher und Studenten, insbesondere in den Kommunikations- und Medienwissenschaften, der Politikwissenschaft und Soziologie. Die Befunde sind außerdem für Berufspraktiker, vor allem für PR-Berater, Pressesprecher und Krisenkommunikationsexperten, von hohem Interesse.