Do you have a misbehaving, violent, or otherwise problematic shapeshifter in your pack? Send them to the Junkyard, dumping ground and magical holding pen for unwanted shifters. Filthy Thief He left her at the altar, but when she stumbles into the shifter prison five years later, he’ll have to fight to keep her safe…and to get a second chance. Filthy Reject She needs a hiding place to save her life. He needs a mate to save his soul. When the two meet in the Junkyard prison, though, neither is interested in love. Filthy Brute When a runaway bride finds herself in a supernatural prison, an easygoing grizzly shifter is going to find himself her new protector…and her mate. This set includes Filthy Thief, Filthy Reject, and Filthy Brute. If you love dirty-talking heroes, smart heroines, and trashy romance, take the "guilty" out of "guilty pleasure" and buy your copy today!

How do the people of a village that is both Chinese and Christian reconcile the contradictions between their religious and ethnic identities? This ethnographic study explores the construction and changing meanings of ethnic identity in Hong Kong. Established at the turn of the century by Hakka Christians who sought to escape hardships and discrimination in China, Shung Him Tong was constructed as an "ideal" Chinese and Christian village. The Hakka Christians translate "traditional" Chinese beliefs—such as ancestral worship and death rituals—that are incompatible with their Christian ideals into secular form, providing a crucial link with the past and with a Chinese identity. Despite accusations to the contrary, these villagers maintain that while they are Christian, they are still Chinese. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.

A revelatory exploration of wood's many material, ecological, and symbolic meanings in the religious art of medieval Germany "A rewarding study that is full of new insights."--Jeremy Warren, Art Newspaper In late medieval Germany, wood was a material laden with significance. It was an important part of the local environment and economy, as well as an object of religious devotion in and of itself. Gregory C. Bryda examines the multiple meanings of wood and greenery within religious art--as a material, as a feature of agrarian life, and as a symbol of the cross, whose wood has resonances with other iconographies in the liturgy. Bryda discusses how influential artists such as Matthias Grünewald, known for the Isenheim Altarpiece, and the renowned sculptor Tilman Riemenschneider exploited wood's multivalent nature to connect spiritual themes to the lived environment outside church walls. Exploring the complex visual and material culture of the period, this lavishly illustrated volume features works ranging from monumental altarpieces to portable pictures and offers a fresh understanding of how wood in art functioned to unlock the mysteries of faith and the natural world in both liturgy and everyday life.

Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

"From the author of Summer Darlings, another page-turning historical novel about a debutante whose entire future is called into question after her fiancé's Hamptons hotel mysteriously burns down during its opening weekend in the summer of 1957"--