The most trusted guide to getting poetry published! The 2014 Poet's Market includes hundreds of publishing opportunities specifically for poets, including listings for book/chapbook publishers, poetry publications, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information. In addition to the listings, Poet's Market offers articles on the Craft of Poetry, Business of Poetry, and Promotion of Poetry--not to mention new poems from contemporary poets. Learn how to navigate the social media landscape, submit your poems for publication, write various poetic forms, give a perfect reading, and more. You also gain access to: • Lists of conferences, workshops, organizations, and grants. • One-year access to the poetry-related information and listings on WritersMarket.com (print edition only) • A free digital download of Writer's Yearbook featuring the 100 Best Markets Includes brand-new poems from today's best and brightest poets, including Amorak Huey, J.P. Dancing Bear, Jeannine Hall Gailey, Scott Owens, Martha Silano, Susan Rich, and more. "My grandmother bought my first Poet's Market when I was in college. I had just taken my first college creative writing class. Now, nearly 20 years later, as a writer who has had books published and as an editor of a 10-year-old magazine, Poet's Market is still an invaluable tool. Every poet and poetry student needs a copy on his or her bookshelf." --Shaindel Beers, author of A Brief History of Time and The Children's War and Other Poems, and Poetry Editor of Contrary

The "World" in Robert Lee Brewer's Solving the World's Problems is a slippery world ... where chaos always hovers near, where we are (and should be) "splashing around in dark puddles." And one feels a bit dizzy reading these poems because (while always clear, always full of meaning) they come at reality slantwise so that nothing is quite the same and the reader comes away with a new way of looking at the ordinary objects and events of life. The poems are brim-full of surprises and delights, twists in the language, double-meanings of words, leaps of thought and imagination, interesting line-breaks. There are love and relationship poems, dream poems, poems of life in the modern world. And always the sense (as he writes) of "pulling the world closer to me/leaves falling to the ground/ birds flying south." I read these once, twice with great enjoyment. I will go back to them often. -Patricia Fargnoli, former Poet Laureate of New Hampshire and author of Then, Something

From Epicurus to Sam Cooke, the Daily News to Roots, Digest draws from the present and the past to form an intellectual, American identity. In poems that forge their own styles and strategies, we experience dialogues between the written word and other art forms. Within this dialogue we hear Ben Jonson, we meet police K-9s, and we find children negotiating a sense of the world through a father's eyes and through their own.

In the first half of "The Children's War," Shaindel Beers looks at artwork done by and about child survivors of war, embodying the voices of the children, their families, and the humanitarian aid workers sent to help them. From there, the book opens out into an exploration of the war at home and the war within ourselves, exploring violence in mythology, domestic violence, and the wars that occur, sometimes, within our own bodies. These poems act as a survival guide, showing that hope exists even in the darkest of places and that perhaps poetry is the key to our healing.

Kenneth Rexroth called Denise Levertov (1923–1997) "the most subtly skillful poet of her generation, the most profound, . . . and the most moving." Author of twenty-four volumes of poetry, four books of essays, and several translations, Levertov became a lauded and honored poet. Born in England, she published her first book of poems at age twenty-three, but it was not until she married and came to the United States in 1948 that she found her poetic voice, helped by the likes of William Carlos Williams, Robert Duncan, and Robert Creeley. Shortly before her death in 1997, the woman who claimed no country as home was nominated to be America's poet laureate. Levertov was the quintessential romantic. She wanted to live vividly, intensely, passionately, and on a grand scale. She wanted the persistence of Cézanne and the depth and generosity of Rilke. Once she acclimated herself to America, the dreamy lyric poetry of her early years gave way to the joy and wonder of ordinary life. By the late 1960s and early 1970s, however, her poems began to engage the issues of her times. Vehement and strident, her poetry of protest was both acclaimed and criticized. The end of both the Vietnam War and her marriage left her mentally fatigued and emotionally fragile, but gradually, over the span of a decade, she emerged with new energy. The crystalline and luminous poetry of her last years stands as final witness to a lifetime of searching for the mystery embedded in life itself. Through all the vagaries of life and art, her response was that of a "primary wonder." In this illuminating biography, Dana Greene examines Levertov's interviews, essays, and self-revelatory poetry to discern the conflict and torment she both endured and created in her attempts to deal with her own psyche, her relationships with family, friends, lovers, colleagues, and the times in which she lived. Denise Levertov: A Poet's Life is the first complete biography of Levertov, a woman who claimed she did not want a biography, insisting that it was her work that she hoped would endure. And yet she confessed that her poetry in its various forms--lyric, political, natural, and religious--derived from her life experience. Although a substantial body of criticism has established Levertov as a major poet of the later twentieth century, this volume represents the first attempt to set her poetry within the framework of her often tumultuous life.

A look at the poetry of one of America’s most populous and fascinating cities, with poems spanning from 1942 to 2012