The Royal Arch, also known as Red Lodge or Chapter, is one of the most popular and enlightening of the Orders beyond the Craft. Published to coincide with the celebrations of 200 years of Royal Arch Freemasonry, this extensive volume encompasses much more than the title implies. Divided into three parts with added appendices, the book covers the story behind the creation of Supreme Grand Chapter within the context of Craft Freemasonry, to which it is so closely attached. It is a comprehensive guide to the Order of the Royal Arch, and its history and development from the mid-eighteenth century to the present day. This is the only text to date to answer such important questions as How did the Royal Arch end up in its current position, so unique to England? How did the Antient's Grand Lodge treat this 4th Degree of Freemasonry? Was the Charter of Compact really falsified? and did the Duke of Sussex have his own private Chapter?

The Aldersgate Royal Arch Ritual as taught in the Aldersgate Royal Arch Chapter of Improvement. This new Edition of the Aldersgate Ritual has been produced following the decision of the Committee of the Chapter of Improvement to make the ritual easier to follow by showing the Traditional Exaltation ceremony and the Permitted Alternative Version completely separately.

By the end of the twentieth century, Freemasonry had acquired an unsavoury reputation as a secretive network of wealthy men looking out for each others’ interests. The popular view is of an organisation that, if not actually corrupt, is certainly viewed with deep mistrust by the press and wider society. Yet, as this book makes clear, this view contrasts sharply with the situation at the beginning of the century when the public’s perception of Freemasonry in Britain was much more benevolent, with numerous establishment figures (including monarchs, government ministers, archbishops and civic worthies) enthusiastically recommending Freemasonry as the key to model citizenship. Focusing particularly on the role of the press, this book investigates the transformation of the image of Freemasonry in Britain from respectability to suspicion. It describes how the media projected a positive message of the organisation for almost forty years, based on a mass of news emanating from the organisation itself, before a change in public regard occurred during the later twentieth-century. This change in the public mood, the book argues, was due primarily to Masonic withdrawal from the public sphere and a disengagement with the press. Through an examination of the subject of Freemasonry and the British press, a number of related social trends are addressed, including the decline of deference, the erosion of privacy, greater competition in the media, the emergence of more aggressive and investigative journalism, the consequences of media isolation and the rise of professional Public Relations. The book also illuminates the organisation’s collisions with nationalism, communism, and state welfare provision. As such, the study is illuminating not only for students of Freemasonry, but those with an interest in the wider social history of modern Britain.

Although biblical texts were known in Church Slavonic as early as the ninth century, translation of the Bible into Russian came about only in the nineteenth century. Modern scriptural translation generated major religious and cultural conflict within the Russian Orthodox church. The resulting divisions left church authority particularly vulnerable to political pressures exerted upon it in the twentieth century. Russian Bible Wars illuminates the fundamental issues of authority that have divided modern Russian religious culture. Set within the theoretical debate over secularization, the volume clarifies why the Russian Bible was issued relatively late and amidst great controversy. Stephen Batalden's study traces the development of biblical translation into Russian and of the 'Bible wars' that then occurred in the nineteenth and twentieth centuries in Russia. The annotated bibliography of the Russian Bible identifies the different editions and their publication history.

Lady Hyegyong's memoirs, which recount the chilling murder of her husband by his father, form one of the best known and most popular classics of Korean literature. From 1795 until 1805 Lady Hyegyong composed this masterpiece, depicting a court life Shakespearean in its pathos, drama, and grandeur. Presented in its social, cultural, and historical contexts, this first complete English translation opens a door into a world teeming with conflicting passions, political intrigue, and the daily preoccupations of a deeply intelligent and articulate woman. JaHyun Kim Haboush's accurate, fluid translation captures the intimate and expressive voice of this consummate storyteller. Reissued nearly twenty years after its initial publication with a new foreword by Dorothy Ko, The Memoirs of Lady Hyegyong is a unique exploration of Korean selfhood and an extraordinary example of autobiography in the premodern era.

" ... Concise explanations and descriptions - easily read and readily understood - of what we know of the chain of events and processes that connect the Sun to the Earth, with special emphasis on space weather and Sun-Climate."--Dear Reader.