Romantic movies—no matter how fluffy or fanciful—contain some kernel of truth about real-life love. These films are fictionalized accounts of the collective romantic experiences of everyone involved in the filmmaking process, so even average movies can provide spectacular insights for every stage of romance from first dates to wedding planning. No one knows this better than Leslie C. Halpern, a respected entertainment journalist who was a stringer for The Hollywood Reporter for 13 years and has contributed to Variety, the Orlando Sentinel, Markee, and many other publications. She is also the author of Reel Romance: The Lovers’ Guide to the 100 Best Date Movies, which earned her a reputation as an expert on the subject of romantic movies, and Dreams on Film, which is used on college campuses around the world. Her book Passionate About TheirWork: 151 Celebrities, Artists and Experts on Creativity was named one of MyShelf.com’s Top Ten Reads for 2010. Now in her new book, 200 LOVE LESSONS FROM THE MOVIES, Leslie C. Halpern helps make our favorite movies even more enjoyable by showing us the nugget of relationship wisdom in them. Whether the movie features an unforgettable date (My Date with Drew), odd first meetings (Wimbledon), or a particularly stormy breakup (Eternal Sunshine of the Spotless Mind), Halpern steers the reader toward a valuable lesson to be learned, for example: 45. Don't Let Anger Obscure The Thoughtfulness of a Gift. 46. If You Broke It, Lost It, or Damaged It, then Replace It. 47. Make Sure You Really Want to Say Good-Bye When You Give a Good-Bye Gift. 48. Words May Deceive, but Facial Expressions Don't Lie. Reel Romance made Leslie Halpern a popular speaker at film festivals, book clubs, bookstores and campuses, and she has appeared in signings around the country, in addition to American television, Canadian television, radio, and print. 200 LOVELESSONS FROM THE MOVIES is sure to attract an equally large and enthusiastic movie-loving audience.

It is time we introduced Love Education in our colleges. The way parents teach good touch or bad touch to their young kids, adults need to get comfortable talking to their adolescents on the topic of love & relationships! Love is eternal and is important for a happy life. Falling in love before marriage and falling in love after marriage are both important. How to choose the right person, how to be the right person, why arranged marriages work, how to impress your in-laws, managing your work and life and how to make love last a lifetime, are some of the points covered in this book. By linking these thoughts to romantic movies, you have a concise, easy-to-read interesting book – Love & Marriage Lessons from Movies. This book is strongly recommended for those who are in love and those who will be. For those who are married and for those who will be. For those who love movies and for those who will (after reading this book). “This new work by Gokul Santhanam has quite a quirky title! I wish him loads of luck with his book!” - Trisha Krishnan, Indian Actor

Thoroughly researched and fully APA referenced chronological history of film censorship and classification in Australia. Case by case histories of banned films punctuate a detailed account of the evolution of the Australian Film Classification system and the concurrent development of the Australian adult XXX industry, culminating in the establishment of the Australian Sex Party. Former SAR Research Fellow at Australia’s National Film & Sound Archive Robert Cettl gained exclusive access to both the national collection and the highly restricted Australian adult industry archive, the Eros Collection, at the Flinders University of South Australia Library to piece together the complete history of film censorship in Australia. Progressing through individual banned and censored films – including works by such internationally renowned directors as Hitchcock, Whale, Bunuel, Forman, Godard, Oshima, Pasolini, Hopper, Lyne, Breillat, Noe, Brass, Bertolucci, Fellini, Ford, Clark, Despentes, Winterbottom, Von Trier – Cettl maps out the specification of “offensive” material in parallel to the emergence of Australia’s adult XXX industry and the Christian morals-driven pressure groups that advocate tighter censorship restrictions. In a country that has the dubious honor of being the most censorial of Western democracies, film censorship is based on the principle of “offense to a reasonable adult”, an undefined refrain that religious minorities have used to manipulate censorship decisions in their favor. The history of these groups and the political support for their right-wing Christian agenda – driven by what Australians term “Wowserism” – makes Australian film censorship unique in its delineation of :the “aesthetics of offense” as grounds for the suppression of free dissemination, to the point of seeking mandatory ISP Internet filtering and Internet blacklisting of all material classified RC (or “refused classification”), much of which is available for dissemination throughout Europe and the USA, in violation of UN Human Rights Article 19. In this comprehensive study of the socio-political ideology surrounding the censorship of primarily sexually explicit material (“pornography”), Cettl delineates the aesthetic construction of “offense” as a transgressive genre and charts the morality-driven religiosity behind their construction as Other to a civilized society, questioning whether the categorization of such material as other makes of it legitimate discourse. With extensive case histories, never-before-published government censorship reports, press clippings and secret internal memos between some of Australia’s most powerful and influential politicians, Offensive to a Reasonable Adult exposes the quagmire of Australian censorship law and the morals-cabal of “wowsers” that dominate the censorship agenda in the so-called “Clever Country”.

When the movie business adopted some of the ways of other big industries in 1920s America, women--who had been essential to the industry's early development--were systematically squeezed out of key behind-the-camera roles. Yet, as female producers and directors virtually disappeared for decades, a number of female film editors remained and rose to the top of their profession, sometimes wielding great power and influence. Their example inspired a later generation of women to enter the profession at mid-century, several of whom were critical to revolutionizing filmmaking in the 1960s and 1970s with contributions to such classics as Bonnie and Clyde, Jaws and Raging Bull. Focusing on nine of these women and presenting shorter glimpses of nine others, this book tells their captivating personal stories and examines their professional achievements.

Since the first films played in nickelodeons, controversial movies have been cut or banned across the United States. Far from Hollywood, regional productions such as Oscar Micheaux's provocative race films and Nell Shipman's wildlife adventures were censored by men like Major M.L.C. Funkhouser, the terror of Chicago's cinemas, and Myrtelle Snell, the Alabama administrator who made the slogan "Banned in Birmingham" famous. Censorship continues today, with Utah's case against Deadpool (2016) pending in federal court and Robert Rodriguez's Machete Kills (2013) versus the Texas Film Commission. This authoritative state-by-state account covers the history of film censorship and the battle for free speech in America.