This book features twenty superb arrangements of traditional Old Time American tunes by ukulele maestro Rob MacKillop. Included are classics such as Wildwood Flower, Man Of Constant Sorrow, Whiskey Before Breakfast, Angeline TheBaker, and many others. All the music is playable with a pick or finger style, and the tunes are presented in both tablature and standard notation. The book includes accompanying audio online available for download

This book is an introduction to playing the viola. Intended for the square one beginner, it explains viola technique and basic reading concepts. The lessons emphasize learning new skills through pieces of music performed regularly by today's musicians, ranging from traditional songs to classical melodies. The book comes with accompanying audio.

This book features over 100 traditional American folk songs newly arranged for the ukulele, with chord diagrams and melody lines in tablature and standardnotation. This extensive collection makes Favorite Old-Time American Songs for Ukulele a treasury of the best songs from the American tradition. Nothing in this book is out of range for novice ukulele players. The songs are in keys that are both easy to sing and that fit the melodic range of the ukulele. Of course, not every voice sings comfortably in every key, so information on transposition and a short discussion for players of the baritone ukulele are included. Although you do not need to read music or tablature to use this book, short introductions to each are included. In putting together this collection, the author was inspired by the old Americanpractice of making a sampler: an endearing needlework design showing off various stitches and techniques. The book presents a sampling of the best American songs for folks working in schools, churches, hospitals, coffeehouses and other public performance spaces, or for anyone wishing to expand their repertoire and brush up on a few old chestnuts. There's a little of everything here: sentimental old hearth songs, laments and lullabies, ballads and play-parties, the sacred and profane. The overwhelming majority of songs come from pre-industrial rural traditions, because this is the kindof music that seems to go well with homemade music-making in any age. Includes access to online audio

This book presents 34 delightful Early Music melodies arranged for solo ukulele in gCEA tuning. The styles range from early Renaissance to Baroque, including lively dance tunes and sacred compositions, known for their beauty and vitality. Originally composed for lute or vihuela and often transcribed for classical guitar, these timeless pieces are now part of the ukulele repertoire. Written in standard notation and tablature, primarily for the intermediate to advanced player, but also for the determined novice.

In this collection of 23 melodies from the British Isles, award-winning composer and multi-instrumentalist Ondrej Sarek treats the soprano ukulele as the lyrical solo instrument it can truly be. Along with fingerstyle arrangements of traditional airs, love songs, songs of home and longing, and the timeless melodies of Irish harpist Turlough O’Carolan, the book includes settings of a few original tunes by Mel Bay Publications president, William Bay. All arrangements appear in gCEA tuning in standard notation and uke tablature with suggested backup chords and occasional light fingering.

This collection by David Coe contains 21 beautiful melodies by the world’s greatest composers. Included are songs by Bach, Beethoven, Mozart and many more. Each selection is presented in both standard notation and tablature with chord diagrams included. The ukulele has a distinctive melodic voice and musicians of all levels will enjoy playing these timeless classics.

This book presents 37 pieces of Renaissance guitar music transcribed for solo fingerstyle ukulele together with the author’s recordings of every transcription. Moreover, a generous introduction provides a brief history of the Renaissance guitar, tips on period ornamentation and musicianship, recommended recordings, and invaluable resources for further research of your own. Throughout Europe, the Renaissance guitar was a popular instrument in the middle of the sixteenth century. Its composers left us a treasure-trove of music, from rustic dances to chansons and elaborate fantasias. Five-hundred years later, this music fits beautifully on the Renaissance guitar’s musical descendant, the ukulele. The Renaissance guitar and the ukulele share an almost identical tuning. As the transcriptions in this book are written in standard notation and tablature, any type of ukulele, from soprano to baritone—as well as the top four strings of the guitar— can be used to play them. Most of the pieces are in standard gCEA or GCEA tuning; the seven pieces in the second section of the book, however, require low-G tuning to render the counterpoint as written. It’s also possible for guitar and baritone uke players to read the tablature provided. The music will sound a perfect 4th lower than the notation, but as there was no standard pitch in the time of the Renaissance guitar, modern players should feel no obligation to play this music at fixed pitch. If you wish to read from the tablature and sound in the same key as the notation for ensemble purposes, guitar and baritone uke players merely need to place a capo at the fifth fret. With a certain sense of historical irony, the music of the Renaissance guitar is here reborn on modern fretted instruments.