This beautifully illustrated book presents old master paintings from the famous Bute Collection at

Selected works of Emmuska Orczy from the series "Best of the Best" is the book that everyone should read to understand themselves and each other. The authors and works for this book series were selected, as a result of numerous studies, analysis of the texts over the past 100 years and the demand for readers. It must be read in order to understand the world around us, its history, to recognize the heroes, to understand the winged expressions and jokes that come from these literary works. Reading these books will mean the discovery of a world of self-development and self-expression for each person. These books have been around for decades, and sometimes centuries, for the time they recreate, the values they teach, the point of view, or simply the beauty of words. This volume of the Best of the Best series includes famous works • THE SCARLET PIMPERNEL • I WILL REPAY • THE ELUSIVE PIMPERNEL • EL DORADO • LORD TONY'S WIFE • THE LEAGUE OF THE SCARLET PIMPERNEL • THE LAUGHING CAVALIER • THE OLD MAN IN THE CORNER • PETTICOAT RULE • THE BRONZE EAGLE • BEAU BROCADE • CASTLES IN THE AIR • THE NEST OF THE SPARROWHAWK • THE TANGLED SKEIN • A SHEAF OF BLUEBELLS • "UNTO CÆSAR" • THE END A BRIDE OF THE PLAINS • THE HEART OF A WOMAN • LEATHERFACE • HIS MAJESTY'S WELL-BELOVED

This splendidly illustrated book provides an introduction to the magnificent paintings that form one element of The Bute Collection at Mount Stuart. It is the first in a series planned to celebrate each aspect of Mount Stuart's rich cultural heritage. The Bute Collection is one of the foremost collections of fine and decorative arts, books and archival material in Britain, particularly noted for its Dutch Golden Age masterpieces and British 18th-century portraiture. Assembled over three centuries by several generations of the Crichton-Stuart family, the Earls and Marquesses of Bute, parts of the collection can be seen today at the neo-gothic ancestral family seat of Mount Stuart, Isle of Bute - an architectural masterpiece in its own right. This splendidly illustrated book provides an excellent introduction to the paintings that form just one element of this outstanding collection, including some of the finest pictures in the nation, and is the first in a series planned to celebrate each aspect of Mount Stuart's rich cultural heritage.

This book focuses on the extraordinary Bute Collection at Mount Stuart and its illustrious history. John Stuart, 3rd Earl of Bute, was one of history's most enthusiastic art collectors. As tutor to Prince George, Bute became indispensable to the royal household. Soon after his accession to the throne, the King made Bute Prime Minister--a career that was cut short after the Peace of Paris in 1763. Forced out of London by an angry mob, Bute retired to an estate at Luton, where he spent the rest of his years in private study and amassing a collection of 500 paintings, including major works by Venetian painters such as Tintoretto, Bordone, and Veronese. Bute had a special interest in Dutch and Flemish pictures, building the greatest collection of its kind in Britain. This book features over thirty masterpieces, mainly genre paintings and landscapes, and including jewel-like landscapes by Brueghel and Savery. The collection is housed at the Bute family's Scottish seat, Mount Stuart, on the Isle of Bute. Essays by leading scholars delve into the history of Bute's collection, focusing on his relationship with King George III, and his wide ranging passions, which resulted in rooms filled floor to ceiling with works of art.

This is an authoritative companion that is global in scope, recognizing the presence of African Diaspora artists across the world. It is a bold and broad reframing of this neglected branch of art history, challenging dominant presumptions about the field. Diaspora pertains to the global scattering or dispersal of, in this instance, African peoples, as well as their patterns of movement from the mid twentieth century onwards. Chapters in this book emphasize the importance of cross-fertilization, interconnectedness, and intersectionality in the framing of African Diaspora art history. The book stresses the complexities of artists born within, or living and working within, the African continent, alongside the complexities of Africa-born artists who have migrated to other parts of the world. The group of international contributors emphasizes and accentuates the interplay between, for example, Caribbean art and African Diaspora art, or Latin American art and African Diaspora art, or Black British art and African Diaspora art. The book will be of interest to scholars and students working in art history, the various branches of African studies, African American studies, African Diaspora studies, Caribbean studies, and Latin American studies.

Garden lovers will have to own this leading, fully updated guide! Produced by the Royal Horticultural Society, it reveals where to see plants growing in more than 1,000 British gardens--including 150 nurseries and demonstration gardens--that are open to the public. Each entry, which is listed alphabetically by country or region, includes a description, with highlights and key features; full contact details, including opening times, admission fees, and coded facilities; and brief directions. In addition, there are comprehensive regional maps at the back, and an alphabetical listing to help visitors choose the gardens with the very finest displays.