This two-volume work of 1857 is a first-hand account of wide-ranging service for the South American Missionary Society.

This study offers a chronological history of seal fishing in the Falkland Islands and Dependencies from the eighteenth century to the early twenty-first. It concerns the fluctuating seal population due to sealing; the Atlantic and global demand for seal fur and oil; the competition between American, British, and Canadian sealers over the territory’s seal stocks; and the attempts by various ruling governments to prioritise domestic sealing, maintain sufficient seal stocks, and continue to make profit. It is comprised of nine chapters, the first and last chapters of which serve as introduction and conclusion. The study also includes eight appendices presenting tabled statistics, and a select bibliography. The appendices concern seal skin imports into London; vessel details at Puerto Soledad; the value and amount of seal products exported from the Falklands; Canadian sealing vessels entering Port Stanley; seal catch and oil yield in South Georgia; South Georgian seal catch summaries; South Georgian commercial catches by sealing division; and marine mammal products landed in the Newfoundland fisheries region.

This international volume draws together key research that examines visual arts of the past and contemporary indigenous societies. Placing each art style in its temporal and geographic context, the contributors show how depictions represent social mechanisms of identity construction, and how stylistic differences in product and process serve to reinforce cultural identity. Examples stretch from the Paleolithic to contemporary world and include rock art, body art, and portable arts. Ethnographic studies of contemporary art production and use, such as among contemporary Aboriginal groups, are included to help illuminate artistic practices and meanings in the past. The volume reflects the diversity of approaches used by archaeologists to incorporate visual arts into their analysis of past cultures and should be of great value to archaeologists, anthropologists, and art historians. Sponsored by the World Archaeological Congress.