Two Minutes and Under: Volume 3 offers actors fifty original, unusual, and exciting audition pieces. This book, by the author of the best-selling original monologue books Street Talk, Uptown, and Two Minutes and Under: Volumes 1 and 2, is chock full of challenging and audition-winning monologues, which present engaging characters to play, exciting language to say, and surprising stories that will entertain and amuse.

From Library JournalA winning stage audition depends heavily on the material used, as well as the talent of the actor. These original character monologs for men and women cover a variety of types, ages, and moods and range from serious to comic. The characters include husbands and wives, wheeler-dealers, gay people, the unemployed, someone with AIDS, and the parent of someone with AIDS. Alterman is the author of Street Talk: Character Monologues for Actors (Smith & Kraus, 1991) and other monolog and dialog plays. Actors looking for challenging, contemporary audition material should find a gold mine here. Recommended for theater arts collections.- Howard E. Miller, Blue Cross & Blue Shield of Mechnical Coll. Lib., Laconia, Copyright 1994 Reed Business Information, Inc., Review"...a must for all actors!" -- Grant Wilfley, Wilfley-Todd Casting Product DescriptionThe monologues in this volume come from the following plays by Glen Alterman: The Pain in the Poetry, Once in a Blue Moon, Goin' Round on Solid Rock Ground, The Dangers of Strangers, Nobody's Flood. About the AuthorGlenn Alterman is also the author of Street Talk: Character Monologues for Actors, and Uptown: Character Monologues for Actors, both featured selections in Doubleday's Fireside Theater Book Club. His play, Nobody's Flood, recently won the 1993 Bloomington Playwrights Project Contest.

Wanting to produce a 90-Minute Shakespeare play? This ready-to-use adaptation of one of the Bard's most popular plays, respects the verse and retains all major characters and plotlines. The play has been shortened, but none of Shakespeare's words have been changed. For the Shakespeare purist who loves the language, but desires a shorter running time, these are the scripts to use. The production-tested adaptations are perfect for a variety of groups, including professional theaters using a 90-minute TYA (Theatre-For-Young-Audiences) contract, universities, high schools, and community theaters. Free from side-by-side translations or notes, the scripts are rehearsal ready. The most common comment from audiences who have viewed productions of these adaptations is: "What was cut? It seemed like that was the whole play."

In the second edition of this popular guide, actors learn to use their skills to write monologues, performance art pieces, and one-person plays. Updated to include exclusive interviews and tips on marketing, this guide helps actors create their own exciting performance opportunities and follow in the footsteps of Elaine Stritch, Billy Crystal, John Leguizamo, and other stunningly successful writer-performers of one-person shows. The author, an award-winning actor, breaks down the writing process into simple steps, coaching the reader through each stage of the creative journey.