The second part of history and meanings of tattoo motifs.

The practice of inserting sharp objects into the skin or other body parts for beautification or other purposes is thousands of years old. The oldest mummy discovered in Egypt had a pierced ear. Ancient African civilizations had habits of piercing their lips and tongues. The oldest evidence of facial piercing was discovered in 2020 on the skeleton of a man who lived about 12,000 years ago. Ear piercing has been common throughout history. Often used for spiritual protection, people wore metal on their ears to prevent evil spirits from entering the brain through the ear canal. Ancient African tribes and the Egyptians also practiced body modification through earlobe stretching, as did people in Asia. This practice among royalty is evident on the death mask of the young Egyptian pharaoh Tutankhamun, as well as on statues of the Buddha, where his earlobes reach almost to his shoulders. Nose piercing is probably more than 4000 years old in the Middle East and was often offered as a gift and is still a tradition among some African tribes. In India, nose piercing was done for a completely different reason. The jewel is usually worn in the left nostril of a woman. In Ayurveda, the traditional Indian approach to health and well-being, the spot on the left nostril is associated with the female reproductive organs, and piercing here is believed to facilitate childbirth.

For millennia, tattoos have documented the history of humanity one painful mark at a time. They form a visual language on the skin, expressing an individual’s desires and fears as well as cultural values, family ties, and spiritual beliefs on the surfaces of the body. The Indigenous peoples of Asia have created some of the world’s oldest and most distinctive tattoos, but their many contributions to body art and practice have been largely overlooked. Tattoo Traditions of Asia is the first single volume dedicated to the anthropological study of an ancient cultural practice and artform that spans many countries and societies, ancestral lands, and contemporary communities across the continent and its islands. This richly illustrated survey combines the author's twenty years of fieldwork, interviewing hundreds of Indigenous tattoo bearers and contemporary tattoo practitioners, with painstaking research conducted in obscure archives throughout the region and elsewhere to break new ground on one of the least-understood mediums of Indigenous Asian expressive culture—a vital tradition to be celebrated, an inspirational story told in skin and ink.

The Tattoo Encyclopedia provides the first comprehensive overview of tribal tattooing across history, continents, and ethnicities. Each group, clan, or community that practiced tattooing had its own places where people prepared for tattooing or where tattooing was performed. Tattoo sessions were accompanied by music, songs, or other rituals. They had tattoo artists and their assistants. Of course, they used various tattoo tools to carry and apply the designs. Last but not least, they also used different ingredients to obtain the inks for the tattoos. For all this, the different communities had their own names and terms, in their own language or dialect, and it is these terms, including descriptions, often already lost in history, that this book presents.

Tattoos have played an important role in human culture for thousands of years. Ideal for the tattoo artist, anthropologist, or tattoo fan, this visual lexicon covers tattoos from hundreds of different cultures and lists meanings, reasons for wearing, rites of passage, and indicates placement for thousands of individual tattoos. Complete with nearly 650 illustrations, the book breaks down the symbology of these tattoos, indicating the origin and significance of motifs from tattoo cultures that still exist and those that have been lost to history. The breadth and depth of this information serves to inspire today's tattoo artist and expand the knowledge of this ancient and global phenomena.

"In this provocative work full of intriguing female characters from tattoo history, Margot Mifflin makes a persuasive case for the tattooed woman as an emblem of female self-expression." —Susan Faludi Bodies of Subversion is the first history of women’s tattoo art, providing a fascinating excursion to a subculture that dates back into the nineteenth-century and includes many never-before-seen photos of tattooed women from the last century. Author Margot Mifflin notes that women’s interest in tattoos surged in the suffragist 20s and the feminist 70s. She chronicles: * Breast cancer survivors of the 90s who tattoo their mastectomy scars as an alternative to reconstructive surgery or prosthetics. * The parallel rise of tattooing and cosmetic surgery during the 80s when women tattooists became soul doctors to a nation afflicted with body anxieties. * Maud Wagner, the first known woman tattooist, who in 1904 traded a date with her tattooist husband-to-be for an apprenticeship. * Victorian society women who wore tattoos as custom couture, including Winston Churchill’s mother, who wore a serpent on her wrist. * Nineteeth-century sideshow attractions who created fantastic abduction tales in which they claimed to have been forcibly tattooed. “In Bodies of Subversion, Margot Mifflin insightfully chronicles the saga of skin as signage. Through compelling anecdotes and cleverly astute analysis, she shows and tells us new histories about women, tattoos, public pictures, and private parts. It’s an indelible account of an indelible piece of cultural history.” —Barbara Kruger, artist

This book will give you an insight on Polynesian tattoo motifs. It will help you understand them, their symbolism and their meanings. It will help you find the ideas for your own tattoo and help you creating it. Design creation process explained in detail with case studies - Polynesian Symbols & Motifs - Meanings Quick Reference - Free Designs - Positioning the Elements - Case Studies explained - Maorigrams creation